Angel Caballero / Watch camera has been a doctor, priest, student ... One of the great advantages of this profession is to put yourself in the other and change in personality, time and doing those things you always dreamed of and will never happen to us. This is something that Rodolfo Sancho has been able to make the most of their year career. At present he is immersed in the recording of the second season of Hawks, but wanted to make a stop on the way to look at the camera.
camera Look: Can we say that in your case, the love of acting comes from your family? Rodolfo Sancho
: Yes As a child I spent much time between cases and shootings. Inevitably, that's something you just dialed.
Mac: When you decided to want to be an actor?
RS: was an idea that had always been around in my head. When I finished school I decided to catch me more seriously and joined an acting school.
Mac: The career of an actor is like a roller coaster, now you're up and down tomorrow. I guess that is one of the things that you've also known since very small.
RS: It is inevitable that happens to many actors. When you going to do this is like throwing a coin and do not know how it will fall. I knew the hardships of this profession, but also was aware that the good times are so grateful that compensate everything else.
Mac: Would you like your children to follow your steps and your father?
RS: Each person is a happy thing, without addressing what life you have lived. I grew up with my two brothers and I am the only one I wanted to be an actor. I would like to do what they want. If you choose this profession, I'll be happy and be proud, but if not, it does not matter. All I want is to be happy, choose what they choose.
Mac: What elements may be lacking an actor who starts?
RS: effort, motivation, enthusiasm and love of work you're doing. I think these are things we should have all the actors, no matter where you are in your career.
Mac: you notice released in Al salir de clase. The series began with a discrete audiences and eventually became a success. Does this fact to the relationship with the team, peers and the development of your career?
RS: is something that ends up affecting, even if you do not want. When you're starting a new project usually generates a good atmosphere because we are all striving to get something later. Then it goes into the background and each are on the journey. Both audiences and the impact that your work has just noting in relation to the rest of the team.
Mac: I remember you created a theatrical production with other partners in the series.
RS: Yes, we were Mariano Alameda, Dani Huarte, Sergio Villoldo and me. We made a two-year tour throughout Spain, with the play Chaos, and was a wonderful experience we will always remember.
Mac: Would you like to go back to get on the tables with them?
RS: Absolutely . It would be great if we had become reunited with a good project, provided that the commitments of each permit. I repeat delighted.
Mac: Is there a public evil?
RS: I think the audience is very diverse. One thing I learned from touring is that the viewer is changing as the area where you are. There are things you work in some places and not others, because audiences are cold and others warm. With what I have never found an audience is ungrateful, so touch wood.
Mac: Is it easier to work with colleagues I admire?
RS: Absolutely. If this occurs is because the big players think, and that makes you push yourself more to get to their level. When you have someone in front is very good, and gives you much, you grow as an actor.
Mac: In these years you've been in very different projects. Have you ever decided to do something in mind its intended audience?
RS: Never. That is something I can even think to post. What I always try to assess is whether the story I read in the script excites me. It is relatively easy, because when you're reading laugh, cry or do not pass anything. When you are not excited is because there is something there that does not work. I have also in mind the type of character that I offer, if I can do and what I will contribute. If you're starting your career partner impregnarte going to something, but when you take a few years, and has already played several characters, you run the risk of repeating.
Mac: Did you think that any of these characters would give a great twist to your career?
RS: No. As I have always relied on is that the product would be a success.
Mac: Are you for leaving him in the dressing room or to take him home?
RS: That depends on the dramatic intensity and character of the sequence that you touch. I try to stay in the clubhouse, but it is true that there are days when something is going with you. I always thought that if you try to leave the character, the tool we work with our bodies, and if you draw a very hard scene, it just felt.
Mac: There is a question that is already a classic look at the camera: How do you prepare your characters?
RS: not use any particular method, because each character you work is different, and each genre also. You can not prepare the same way for a horror movie for a comedy. You can not use the same methods. With more trust in intuition is that I have when I first read the script. The images that come to my head and the feeling I get these readings, are what helps me to learn more how is the character.
Mac: Should trust yourself?
RS: I think that's the key, because that's what will give you the opportunity to jump into the pool and believe in the character. This gives you a confidence that helps them be more credible and to tell it from a simplicity and truth.
Mac: Did you ever get used to living off the hearings?
RS: Yes Over the years I realized that it is part of the game. I deleted the idea of \u200b\u200b"dependent" and I have accepted as a part of what it means to be an actor. I have no slavery is a feeling of being dependent on the audience. If something goes wrong, he will have to look for other projects.
Mac: Are you scared to face Hawks, by being a remake of a soap opera?
RS: At first, I wanted to do for this very reason. It was a daily soap opera that had made quite a stir and the idea did not attract me too. I had a meeting with the producers, told me how it would be the final product and left me a script for me to read. I read it and saw it was a character I had things to say and could contribute much.
Mac: Can you reveal something of this second season?
RS: I can tell you little thing because we just started and I could only read two scripts. There will be many changes that will evolve this complex network and all the Kings are not so humble as usual.
Mac: Do we have Rodolfo for a while?
RS: I hope so. Soon be released the second part of the heritage of Valdemar, later "The REDOTE" a movie I made with Caesar Caldon, and, of course, the second season of Gavin.
