Angel Caballero / Look Some clever camera remember it "After." This Friday will release the film "Cousins." Have a small character, but I'm sure that will not go unnoticed and soon we will see in many other jobs. Alicia Rubio is a clear example of perseverance and courage. These days are preparing to return to the tables next to Leisure and Maday Pepe Méndez, in a function that will be "Small piece psychopathic."
Look at the camera: imagine waiting until we have a character in a movie like "Cousins" has been long. "As you have lived? Alicia Rubio
: Well, because I've been doing other things that if not ... would have been much harder. My years studying drama not overwhelmed me the idea to work, because my priority at that time was formed. Once you finish the school and that's when you ask "Now what?". There are many times when you can not live this profession and that to me has been the most difficult. Nor do I consider this opportunity as a before and after in my career, because it is a small character.
Mac: What do you expect from this film?
AR: That will go smoothly. Hopefully see much ... I hope you like my work and that make me want to do more testing for other projects, because I do a few auditions.
Mac: What has meaning for you Daniel Sánchez Arévalo ?
AR: I've done two tests with him, one was for the short "Traumalogía" and I always left very happy. I love the way you do the tests. With him improvise a lot, it gives you enough freedom, you take the time and really see how you work. After he laces or not, to the character, is another story. I remember when I auditioned for "Cousins" were like a couple of hours working. It is fortunate to meet a director who cares so much about meeting the actors.
Mac: Many managers did not like the actors improvise the texts they have written themselves. So tell me, it seems that this is not the case.
AR: not know how I have done in his other films, but it greatly changed the script after the rehearsal process. There is even a sequence that was rewritten following the improvisations that were made. Dani always puts what might be better for story of the movie to your ego as a writer. Always open to listen to proposals that make the actors and test them to see if they work.
Mac: Do you think the players have a language that only a few managers can understand?
AR: do not know. For example, Dani is able to say one word and all that you brought modificarte prepared, because he knows what he wants. Sometimes it gives you guidelines on the thinking of the character and other things
more specific, but most things end up working very well.
Mac: have shaped the short Raúl Arévalo as director. How was the experience of being directed by another actor?
AR: Well were two short very small and we were among friends. "One love", for example, we shot in one day with a very small team, so everything was easy.
Mac: few years ago you recorded a series, "The couple", which was never issued and was kept in a drawer. What happens to an actor when something happens?
AR: Well imagine ... at that time I experienced it as a great opportunity, because it was making a main character in a series. Also I met Alejandro Cano , a great friend of mine, I had the experience of going to record every day and learned a lot. Gave me great assurance as an actress and the money I won I could go one time to Argentina. I would have loved to have written that would have worked, because then you have the opportunity for further work after you leave.
Mac: are now teaching fencing. Are you learning to do some character?
AR: No, it was by a friend who told me he was going to point and I decided to go myself. I also do kickboxing, but the fencing is totally different.
Mac: Is not scares you a bad blow to the face desfigurarte?
AR: is that I care a lot. I'm one of the few girls who are in class and take care. It's a brutal workout and helps me download a lot of adrenaline.
Mac: "Everything you learn adds to the career of an actor?
AR: I think so. I imagine there will be cases in which I teach fencing, or whatever, so you can make a character, but if you know the better.
Mac: Do we have to have a good physical preparation for work?
AR: I think that no matter physique you have, but it must be taken in the best conditions possible. The shooting can be very hard and have to be a hundred percent. When we were shooting "Cousins" in Santander in the rain and cold it was, it was very easy to get sick. I was eleven or twelve sessions, but he saw how hard it was for my classmates who had to be there longer, and he spent fatal.
Mac: Have you had nightmares where you are at the premiere of "Cousins"?
AR: No. It happens worse before shooting began. After it is all done and you can not do anything. Dani gave us a screening of the film at home for all actors, so I've seen it and I'm quiet.
Mac: How is your character in this movie?
AR: Tona and is called the Bride of Adrian, one of the cousins. I find it hard to define, because it is complicated and not judge me the same thing happened when we shot the film, but ultimately defended death. It is very difficult not to judge, because it is the bad guy. It's a very manipulative woman who has a very obsessive relationship with her boyfriend and complicated.
Mac: I get the impression that you like characters with a strong personality.
AR: Yes It's funny because in school they used me very dramatic characters and fragile, and when I started working was the opposite. Also say that I am a person of character.
Mac: I gather then that it is easier to work on characters who are closest to you.
AR: depends. Sometimes I have gone the opposite, because when a character is very far from you, you can play more. When you have more intimate and personal things at stake, it costs more to teach them, because, somehow, you're showing your weaknesses. I think when it comes to the generosity of the actors has a lot to do with it. With the ability to share with the public feelings that are very close.
Mac: Would you rather work on something else before making a film that does not convince you finished?
AR: I will not say who would do anything, because it is not true, but I want to work as an actress and live in this office, so before you put glasses rather do a project that fills me. All you learn ... Although you are not doing the characters that have led you to become an actor, you learn many other things and meet people who can be very interesting.
Mac: just won an award for best actress Cortogenia. How does it feel when they say your name?
AR: Much happiness. It's a very nice recognition to help you trust and believe in you. When I got the prize, "said the director:" We are going to project the short film and it really scared me because I thought: "All these people will say:" "And this is the best interpretation?" (Laughter )
Mac: Do you aspire to continue to reap rewards or great a Goya?
AR: not something that I have raised many times. I know people for whom it is his dream, but that's not my case. I wanted to be an actress since I was seven years, but the gala I see Goya relatively recently. I grew up not watching the awards on TV or meet friends for comment. Now I see and I like, but for me the most important thing is to work and live always in this profession. I know it sounds cliché, but true. Work is the greatest reward.
Mac: How do you prepare your characters?
AR: depends on the character. I'm very disorganized, chaotic and when I'm acting I am driven by my impulses. I am intuitive, which helps me a lot, but then I need to focus my energy and do some work for that table. Analyze each scene, I see where the conflict, often read the script and, especially, I like to ask: Where did I come? And why have I come?.
Mac: When was the first time you put in front of a camera?
AR: doing a chapter on "Table for five." The scene was short but very fun to Oriol Vila. I called directly without testing me, because I had seen one of these castings that make file.
Mac: Do you feel more comfortable in a set or on stage?
AR: I'm sure if I feel comfortable with the work that I, regardless of where you are going to develop.
Mac: Now go back to the theater.
AR: We assays with a function that is called "Little piece psychopathic" the Uruguayan author Federico Roca . I am accompanied by
Leisure and Pepe Méndez Maday, and the director is Hernán Grinstein.
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