Inma Cuevas:" I can never miss the love and enthusiasm for the work 're doing "
Monday, November 29, 2010
Example Dental Hygiene Personal Statement
Angel Caballero / Look at the camera had long wanted to interview Inma Cuevas. I could see his work on "Women" and "The Lady" and I have to admit that I left fascinated. Nothing to do with the laughter that I stole from the theater with "My first time." To my surprise when, from croissants and coffee, I said it was reader looks at camera. This weekend ends, for now, with "The Last Days of Judas Iscariot" in the Study of Black Adam. Do not know about you, but I do not think me lost.
camera Look: Do you remember when was the first time I went up to the stage? Inma Cuevas
: a child in the representations we made at school. He was about eight when I made my first character in a play that was called "Bazaar of toys." It was the story of a girl who was lost in a bazaar where all the toys came to life. I was one of those clowns coming out of a box spring. We even did our own costumes out of cardboard and cartons.
Mac: "That you knew you wanted to be an actress?
CI I've always been quite clear. When I turned eighteen, my acting coach of the school was directed me to know which site should go if I wanted to be an actress. So did the tests for Resad, but I took ...
Mac: not believe you. How could they let you escape?
CI Well, you see ... (Laughter) I passed the theoretical, but practical, no. At first I felt like the world had not come there, but it was not. My parents told me I had to enroll in something and I got into tourism, but he combined working nights as a storyteller, my friends. I felt I had to keep preparing myself as an actress and went into Réplika with the intention to follow training to re-do the tests Resad. I felt so well during that first year, which ends up being there, and then started working at his theater company.
Mac: What time are you planning a career in film production?
CI Although Réplika was very comfortable, I felt I had to fly and learn new things. I was in other companies, I took pictures, went to the producers, but all I asked for a videobook did not have. So I did some courses in acting for the camera, a friend and I recorded a monologue make me a DVD, I opened this material many doors and I did a book to write down the names and addresses of the casting directors to I could get. Even got to write a script for when called to the sites asking if they could meet me, because I cut too much to say this "Hello, I'm an actress." It is difficult to print photos and curriculum, and spend money you do not have in videobooks and transport to go to sites, but in the end, has its rewards.
Mac: What would you say was your big break?
CI "Women." This series, I discovered a new world was a wonderful school and met people like Felix Sabroso, Dunia or Ayaso Carmen Ruiz, who taught me to work in teams and with the ultimate truth. That was very nice, because everything we did out of love and illusion. Over time, I learned that it is easy for some of these things are lost on the road, the speed with which the industry works or lack of time, but it is something that we are not affected.
Mac: Remember the last time you saw someone get excited about one of your jobs?
CI The other day he came to see me at the theater my friend Denis Gómez . It is very rewarding when you look at the audience and is excited because shows that what you wanted to transmit has arrived.
Mac: Is it easy to forget that our work is intended for an audience?
CI Unfortunately, yes. When you've been doing the same thing thirty functions can lose the motivation, but must be sought, whether colleagues, the director, the public or the text. It is true that not every day we are equal, and sometimes it's difficult to go on stage and communicate, but we must fight it and not lose the north.
Mac: Michael J. Fox said that when it became known, his teammates began to treat him differently. In the overnight all greeted him as if they knew of a lifetime when never before had crossed a word. Did you this happened?
CI From the moment you go on TV, it's like a step and come upstairs belong to another world. Although all greet you like they know you and, in part, is very nice, because you feel you belong to something, but we must keep our feet on the ground for that not to influence you and believe you can reach more than you are, a communicator.
Mac: Have there been times when you have confused the fellowship with friendship?
CI Often when you're on a project, you find very nice people, and you think you are going to be great friends for life, but it is not. We live in a "Big Brother" for the duration of the work you're doing, but when everything just go back to your day to day with your people forever. Of course you can also find great friends. I have finished projects and felt that without these people could not continue with my life, but then you realize that it is not. It should be clear who your family, your friends, the pillars of your life ... so that does not happen.
Mac: What is your opinion of the press and interviews?
CI Les I have enough respect. I confess that these things I'm still pretty clumsy. I relax when I talk and sometimes they do not know where the limit. Because of this, I had a very bad experience with an interview I gave to a girl who was Freelance . She told me it was for publication in "The Country". I relaxed, I told her personal things off the record , and eventually published in a gossip magazine. Since then, I try to be more cautious.
Mac: As we are not going to deviate from what has brought us here and is a good time to ask how you prepare it for your characters?
CI depends on each project. I have come to develop a character from a sound, its shape, color, text, or what my colleague has given me. For example, now with "The Last Days of Judas Iscariot" I tried working from the truth, saying the text and looking at the audience in the eye. It is still hard work, but very beautiful. I have shed all my layers and show me as the text suggests. What ever may be lacking is the love and enthusiasm for what you're doing.
Mac: How did you this project?
IC: Thanks to my friend Joaquín Abad. He was already inside the company and when two actresses could not continue, Joaquín proposed my name to make a replacement. Already knew some of the actors in the role and work of Adam Black , but to him personally, no. I am very happy because I work full of joy and trying many new things.
Mac: the last time I saw you on stage was replacing Look Ibarguren "My first time." Now go back to make another substitution in theater, do you not been afraid to live up to the actress did before you?
IC: Look When I saw "My first time" what I felt were really looking forward to getting on there and do what she did. It's a whirlwind of a woman, it is true that I Can you handle this? But start rehearsing and everything is so marked that it is easier than it looks. In comedy you have to respect good times, silence and guidelines to work. In the case of "The Last Days ..." the word "substitution" takes on another dimension, because in this book work from ourselves with words that makes us the text at all times. Even the costumes are the same, or the character's movement around the stage ... Every player is unique and brings something to his character is what makes it distinct from the work of others.
Mac: One of your most recent television work was "The ma'am. " Is it very different for you board a vintage character to a more current address?
CI Yes, because playing a character of these features means you can work some ways, a way of thinking, talking or doing research at the time, with a contemporary character that you have it, because you live in your day. It's completely different. Such characters are very gratifying, because suddenly, you're reacting to things a certain way that now would be impossible.
Mac: When was the first time I saw in a magazine?
CI In The Guide Leisure, "I saw my name when we did" The kitchen "in Réplika. Then, with "Women" I started doing more stories in other magazines. I remember one very nice that we did in "No2".
Mac: Do you keep any of them?
CI I have an album full of clippings from magazines and theater programs in each city you go. I like to remember the places I've been, theaters and the companions I had. And I have to do a little cleaning, because although I love doing these things, I'll have to finish my house saliéndome.
Mac: Are you faithful to the text or do you prefer improvisation?
CI I have a lot respect for the text and almost never dare to change anything. Although there are other times in trials, where new things are born and I like to incorporate. I think the text gives it everything and it's really hard to say it over and over again making it sound like the first. This also depends a lot of freedom you have in your work you're doing. On this subject I have an anecdote Félix Sabroso will never forget.
Mac: Let us know. It would be a good way to end this interview.
CI In "Women" I was very methodical and did not improvise ever. I remember a chapter in which he my last scene with Oriol Vila, Felix asked me: "Do not you tell the body calls for more this and that." I told him I wanted to say that and much more. Then he said: "What are you waiting for? Tell. "
Saturday, November 27, 2010
On A Horoscope What Does Compatability Mean
Holaaa!
Every time I have less time for blogging, but since today is weekend ... hehehe ^ ^.
Well, a few days ago I gave a person an amigurumi I did and the truth, I think I'm getting better =).
Here it is ....
And here is lying ... I know it looks good but my camera flash does not pop when you need it ¬ ¬.
Friday, November 26, 2010
Get Well Soon Note For Cancer Patient
For the "normal" individuals, so hard to earn and spend so little time!
and
to OTHER (who have led us to this global crisis economic and social) costs so little to win them!
CONTROLS?? : INEFFECTIVE
media system is being used entirely for Power Struggle!
and SO MANY COMPLAINTS FEW RESULTS!
THERE IS A TOTAL OF CREDIBILITY CRISIS !
CAN NOT COMPLY WITH THE COMMITMENTS !!!!!!!!!!!
SCANDALS ARE POLITICAL AND ECONOMIC TOTAL!
TURMOIL does not end until those responsible DECIDE NOT STOP THIS DEMOCRATIC SYSTEM (???).
CLARIFIED THAT DID NOT WANT TO TALK ABOUT POLITICS, BUT ALWAYS FILTER, AND THINK ONLY POLICY IS TO MAKE CERTAIN THINGS.
WE THINK THAT WELL BEING AND NO CONFUSION! (CATCH THAT MORE AND MORE!)
Tuesday, November 23, 2010
Lamplitting Quotations
EASY MONEY FIGHT FOR A GOOD HUG-LOVE GUILT
WHO SAID THAT FIGHT IS NOT CORRECT?
accomplishes nothing without a struggle.
The system in which we live is becoming more perverse.
Whenever we are more "lost" without finding a course that will allow us to find a real meaning to life.
reduce consciousness to a mere reflection of what they want to know, see or feel.
We drive like we want and say we must accept it so!
NOT ACCEPT!
ALL IS POSSIBLE AND NOTHING IS DETERMINED
Let us be aware of it and from there feel free fight to get physical and mentally.
IF THIS IS SEEN AS A DREAM,
THEN DREAM!
Sunday, November 7, 2010
Avery Print Table Tents
Carmen Ruiz:" Do not be afraid to be wrong "
Angel Caballero / Look at the camera
If this were a cocktail factory and we had to prepare one to be a mix of talent, charm, charisma and risk, we could baptize with the name of Carmen Ruiz. He became known to Yo soy Bea and has gone through other series as interesting as Women or sex question . film is rolling out of play in and day November 17 Tis the room will work with Stupid.
camera Look: What do you think the first thing that would make someone who wants to be an actor or actress?
Carmen Ruiz: I think should be the training, because intuition and talent are not enough if you have no tools from which to shoot. Although there are great players that have been made in the tables and others that have begun to work without training and it has them or have sought after. But I am of the view that an actor has to be prepared at all levels whatever comes.
Mac: When you decide you wanted to be an actress?
CR: is something I've always known, but when I really lie the blanket to the head and left it all to finish my drama was while working at Telefonica, a company in which it took seven years. As I had to combine work and training was very difficult to incompatible schedules, so when I was in third grade I decided to quit and devote myself to finish school, and the rest would come later. It is one of the most important decisions I've made my living.
Mac: Did you go to any school of interpretation?
CR: Si. I studied four years at Cristina Rota's school and then I continued my training with other masters such as José Carlos Plaza , Fernando Legs and Roberto Cerda, among others.
Mac: Do you have a specific work method or renew with every project that comes to you?
CR: depends. Is not the same work process in trials of a play that the preparation of a character and a plot on television or film. Being different means, the method of work is too. Although it is true that for any of the jobs that I face I always carry my proposal because it gives me confidence, knowing that I would always be open to change it completely and be "malleable " to do what I ask from here.
Mac: Have you learned more of the partners or directors you've worked?
CR: I believe very strongly in teamwork and I will tell you that I always learn a lot colleagues because it is with them that the character I play is meaningful. On the other hand there are some directors who are able to get you the same things or thought you could do.
Mac: Your first character on television was in the series Women . Was it hard to see how all that work was left in a drawer for almost a year?
CR: At first it was very hard for everyone because we are never going to deliver, but he has been very rewarding, despite little publicity he had, as everyone saw, which have been few speak of Women as a cult series. For me it's an honor to have been part of this series.
Mac: popularity you came through Yo soy Bea. What were the benefits of that reputation got?
CR: Because I'm Bea Women and were issued at a time, the delay of the second as we spoke, there was a time when my two jobs were different and that was very positive because it gave me more to know not only the public but to the profession.
Mac: abandoned Yo soy Bea to enter question of sex. Are they like the risk?
CR: Absolutely . I'd rather regret what I have done, rather than what I have done. And I think that we should not be afraid to make mistakes, otherwise we would not do anything in life for fear of failure.
Mac: Ever you regret having made that decision?
CR: No. I learned a lot at all levels with the experience.
Mac: Have you ever thought you did a scene that you were giving it all as an actress and then seeing him on screen, you did not like the result?
Mac: Total. Sometimes players forget that you must feel and believe it is the viewer that feeling a lot more on stage is when we transmit. We are in favor of what we have and do it with the greater likelihood that the viewer can empathize.
Mac: The Pinos Puente blonde has brought you much joy. Did you ever imagine when you were filming, so this short would mean for your career?
CR: I had no idea. In fact we had no idea any of this would happen. A few days ago, the Festival of short Wolf's mouth, we talked about Vicente Villanueva, García Font and I in our interview where we asked this myself. We did it without any claim and we had so well that everything that is happening with the film is still amazing. I am very grateful to Vicente Villanueva for this wonderful character and his world.
Mac: What are your plans now on the table?
CR: Well, I'm with a film sessions in an offside of David Marqués with Fernando Tejero , Diego Peretti , Laura Pamplona and Chinese Darin, among others. And stop with the testing of a function called Stupid of Antonio Stride , which premiered in the Triangle room diecisite November and I share the bill with Maribel Vitar and Natalia Hernandez. 
Angel Caballero / Look at the camera If this were a cocktail factory and we had to prepare one to be a mix of talent, charm, charisma and risk, we could baptize with the name of Carmen Ruiz. He became known to Yo soy Bea and has gone through other series as interesting as Women or sex question . film is rolling out of play in and day November 17 Tis the room will work with Stupid.
camera Look: What do you think the first thing that would make someone who wants to be an actor or actress?
Carmen Ruiz: I think should be the training, because intuition and talent are not enough if you have no tools from which to shoot. Although there are great players that have been made in the tables and others that have begun to work without training and it has them or have sought after. But I am of the view that an actor has to be prepared at all levels whatever comes.
Mac: When you decide you wanted to be an actress?
CR: is something I've always known, but when I really lie the blanket to the head and left it all to finish my drama was while working at Telefonica, a company in which it took seven years. As I had to combine work and training was very difficult to incompatible schedules, so when I was in third grade I decided to quit and devote myself to finish school, and the rest would come later. It is one of the most important decisions I've made my living.
Mac: Did you go to any school of interpretation?
CR: Si. I studied four years at Cristina Rota's school and then I continued my training with other masters such as José Carlos Plaza , Fernando Legs and Roberto Cerda, among others.
Mac: Do you have a specific work method or renew with every project that comes to you?
CR: depends. Is not the same work process in trials of a play that the preparation of a character and a plot on television or film. Being different means, the method of work is too. Although it is true that for any of the jobs that I face I always carry my proposal because it gives me confidence, knowing that I would always be open to change it completely and be "malleable " to do what I ask from here.
Mac: Have you learned more of the partners or directors you've worked?
CR: I believe very strongly in teamwork and I will tell you that I always learn a lot colleagues because it is with them that the character I play is meaningful. On the other hand there are some directors who are able to get you the same things or thought you could do.
Mac: Your first character on television was in the series Women . Was it hard to see how all that work was left in a drawer for almost a year?
CR: At first it was very hard for everyone because we are never going to deliver, but he has been very rewarding, despite little publicity he had, as everyone saw, which have been few speak of Women as a cult series. For me it's an honor to have been part of this series.
Mac: popularity you came through Yo soy Bea. What were the benefits of that reputation got?
CR: Because I'm Bea Women and were issued at a time, the delay of the second as we spoke, there was a time when my two jobs were different and that was very positive because it gave me more to know not only the public but to the profession.
Mac: abandoned Yo soy Bea to enter question of sex. Are they like the risk?
CR: Absolutely . I'd rather regret what I have done, rather than what I have done. And I think that we should not be afraid to make mistakes, otherwise we would not do anything in life for fear of failure.
Mac: Ever you regret having made that decision?
CR: No. I learned a lot at all levels with the experience.
Mac: Have you ever thought you did a scene that you were giving it all as an actress and then seeing him on screen, you did not like the result?
Mac: Total. Sometimes players forget that you must feel and believe it is the viewer that feeling a lot more on stage is when we transmit. We are in favor of what we have and do it with the greater likelihood that the viewer can empathize.
Mac: The Pinos Puente blonde has brought you much joy. Did you ever imagine when you were filming, so this short would mean for your career?
CR: I had no idea. In fact we had no idea any of this would happen. A few days ago, the Festival of short Wolf's mouth, we talked about Vicente Villanueva, García Font and I in our interview where we asked this myself. We did it without any claim and we had so well that everything that is happening with the film is still amazing. I am very grateful to Vicente Villanueva for this wonderful character and his world.
Mac: What are your plans now on the table?
CR: Well, I'm with a film sessions in an offside of David Marqués with Fernando Tejero , Diego Peretti , Laura Pamplona and Chinese Darin, among others. And stop with the testing of a function called Stupid of Antonio Stride , which premiered in the Triangle room diecisite November and I share the bill with Maribel Vitar and Natalia Hernandez.
Why All Morrowinds Are Russian
Another Amigurumi Amigurumi ..... My new hobby! Halloween
Hi everyone!
Today I am very happy (and somewhat tired because of a nightmare ¬_¬... but not here to talk about it). I'm happy because I have a new hobby in association with Japan, anime, manga and sewing ^ - ^. Are
amigurumi, crochet dolls (crochet) with which you can make any animal, character, or ornament.
usually amigurumis are woven using wool or thread. Varying in thickness, color and texture.
I most use is the wool that is more comfortable when handling.
Well, I explain: I love to craft and in the field of fashion, what I love the crochet.
Then I saw online that there amigurumis (I loved it: D).
And since a few days I've been testing and practicing the patterns (that or you come in you come in English or Japanese).
Up Today!
Today at last I have finished my first Amigurumi ... A BUNNY! ^ ^
Today I am very happy (and somewhat tired because of a nightmare ¬_¬... but not here to talk about it). I'm happy because I have a new hobby in association with Japan, anime, manga and sewing ^ - ^. Are
amigurumi, crochet dolls (crochet) with which you can make any animal, character, or ornament.
usually amigurumis are woven using wool or thread. Varying in thickness, color and texture.
I most use is the wool that is more comfortable when handling.
Well, I explain: I love to craft and in the field of fashion, what I love the crochet.
Then I saw online that there amigurumis (I loved it: D).
And since a few days I've been testing and practicing the patterns (that or you come in you come in English or Japanese).
Up Today!
Today at last I have finished my first Amigurumi ... A BUNNY! ^ ^
(This is when I had made all parties had not yet sewn)
(And here, now fully terminadoooo ainssss .... that monoooo ^ - ^)
Monday, November 1, 2010
Mermaid Dolls From The 80's
Javier Calvo:" I try to offer something different as an actor
Angel Caballero / Watch
camera belongs to one of the latest generations of young actors who has given this country. Started work at fifteen, was released by Physics and Chemistry, has very clear ideas and is not willing to wait sitting on the phone to ring, because as he says, "must move ." Now this is a more adult Javier Calvo preparing to return to the medium in which it began, the theater, with the work Aurora.
camera Look: I read that you started doing theater, nothing more and nothing less than eleven.
Javier Calvo: Yes, but it was a very amateur theater. It was the first contact I had with the acting world. Live in Las Rozas and joined a theater company there, where all were adults and I the only child, so I always did all the child characters. My father signed authorization to go from town to town, making the representations.
Mac: So it seems that it is true that the actor is done in tables ...
JC: I think every actor is different, and each does so differently. There is no pattern to follow to become a good actor, because there are great professionals who have not done much theater. What is certain is that it is a good start and may be a good school.
Mac: Now go back to theater after a few years. What has been the rediscovery of the medium?
JC: We are still testing and preparing the characters. I confess that I have fear of being back on stage, with the public before and to reconnect with all these feelings. I am also very excited to make a text as well, accompanied by great companions.
Mac: What can we advance this project?
JC: is a work that is called Aurora, and is set in Spain in the thirties. It is a drama that touches on sensitive topics and strong enough, but I think you will like very much.
Mac: When did you start taking a more professional contact with industry?
JC: was in my acting class in Las Rozas, and came a girl from Kuranda to inform us that they would make a casting of "new faces" and that anyone who wanted could occur. Without knowing exactly where he was going, I did the tests and caught me. I was about fourteen, fifteen entered physics or chemistry.
Mac: What is the best thing that happened with this series?
JC: A Physics ... I owe a lot. Was very young when I went in and I grew up with the series. I matured matured while my character, and I learned a lot, not only as an actor, as a person. I was also lucky to live experiences that do not usually have a child of that age, and that has helped me to define myself a better person.
Mac: guess you've also had to sacrifice other things. What were the consequences?
JC: all know what they are. It is very hard, sometimes you can not walk down the street and stuff, but I'd rather stay with the good stuff. This work has been a turning point in my life and my career, which has given me a lot, and I have to be grateful.
Mac: 're one of the few actors who has not yet abandoned physics or chemistry. Are not you worried typecast?
JC: I think about it long and I know that is something that is there, but I think that the "box" has already spent some fashion. Before things were raised differently, and TV and film were not so out of hand as now. The real problem is not that people pigeonhole you, is that you pigeonhole you as an actor. When you take a long time in one place, you feel comfortable, and you forget that you can do other things.
Mac: plays a young homosexual in high school. Have you noticed the work other partners, such as Alejo Sauras in After school, to prepare your character?
JC: not that have looked at the character of Alexis to create my paper, I grew up with that series. I've never watched other characters because they were gay. In my case, when I prepared my paper, I analyzed all the features that had the character and one of them was that he was gay. I have never pretended that its central axis was his sexual orientation. I think if you put in front who is gay, before a person is, do you fall into a stereotype.
Mac: Does it bother you that the public confusing the actor with the character?
JC: No, because it is something I understand perfectly. What I would like to achieve is that, over the years, I know for my career and not a job he has done.
Mac: I express and respond very well to questions. Some series make you a consultant that teaches you how to handle these situations, and dealing with the press. Has your case?
JC: Not at all. What if I got was a coach , when we started, to help develop the character. We also gathered all a month before starting to record for us to leave knowing and doing group dynamics. To answer the questions I have learned to base going to grant interviews I've been doing over the years.
Mac: Do you think being seen in some events is a good way to promote your acting career?
JC: do not know. I'm going to premieres and others because I feel like and not for publication. I try to select the sites to go, either to meet some friends for a movie that interests me, or just to have fun. I remember that, at first, as was the novelty, went to the showrooms to dress for these events, but now I tend to go always with my clothes and do not dwell on what I'm going to get.
Mac: You recognition public, but you'd get the criticism?
JC: When you make a number of teenagers is very easy for many people not take you seriously as an actor, regardless of the quality you have your work, or the product you are. I believe we do a great job, but I understand that if you want to rate it had to combine with other projects. I do seek that recognition and I am so excited to play in preparation, because it's very different from what I've been doing all these years.
Mac: 've made some shorts. Do you think that is a good way to experiment?
JC: Not only that, but You can learn a lot. I've worked with directors who have a tremendous talent and I know they will do great things. Another advantage of the short is that you can work with less pressure when you do movies or television. The atmosphere is more relaxed and do not have much responsibility. We must encourage the public to see shorter, because there are many small, but great stories that are worth seeing.
Mac: What criteria do you follow when choosing a short project?
JC: I love movies, I'm a big fan and I recognize when a story I like. I think I have pretty good sense for that.
Mac: How do you prepare your characters?
JC: Especially for my intuition guide me. I read the script and try to understand the character and know why he does what he does and thinks and thinks. I usually carried away by what I felt when I read the script. Then when I read it a few times and I have the essence of the character, try to speak with the director to create your life and the past he has had. Once I have all these experiences, I begin to live the present.
Mac: Are you scared to think that your career could end up here?
JC: is something that, like everyone, I have gone through the head. The only thing I can do about it it does not happen is to try bringing something different to the actor. I think that if you give something else you do not have to stay on the road, because you are not one more. I'm not one of those people who may be sitting waiting for the phone to ring. Must move, and if my career ends here, I'll go to England or France and try to continue there. 
Angel Caballero / Watch camera belongs to one of the latest generations of young actors who has given this country. Started work at fifteen, was released by Physics and Chemistry, has very clear ideas and is not willing to wait sitting on the phone to ring, because as he says, "must move ." Now this is a more adult Javier Calvo preparing to return to the medium in which it began, the theater, with the work Aurora.
camera Look: I read that you started doing theater, nothing more and nothing less than eleven.
Javier Calvo: Yes, but it was a very amateur theater. It was the first contact I had with the acting world. Live in Las Rozas and joined a theater company there, where all were adults and I the only child, so I always did all the child characters. My father signed authorization to go from town to town, making the representations.
Mac: So it seems that it is true that the actor is done in tables ...
JC: I think every actor is different, and each does so differently. There is no pattern to follow to become a good actor, because there are great professionals who have not done much theater. What is certain is that it is a good start and may be a good school.
Mac: Now go back to theater after a few years. What has been the rediscovery of the medium?
JC: We are still testing and preparing the characters. I confess that I have fear of being back on stage, with the public before and to reconnect with all these feelings. I am also very excited to make a text as well, accompanied by great companions.
Mac: What can we advance this project?
JC: is a work that is called Aurora, and is set in Spain in the thirties. It is a drama that touches on sensitive topics and strong enough, but I think you will like very much.
Mac: When did you start taking a more professional contact with industry?
JC: was in my acting class in Las Rozas, and came a girl from Kuranda to inform us that they would make a casting of "new faces" and that anyone who wanted could occur. Without knowing exactly where he was going, I did the tests and caught me. I was about fourteen, fifteen entered physics or chemistry.
Mac: What is the best thing that happened with this series?
JC: A Physics ... I owe a lot. Was very young when I went in and I grew up with the series. I matured matured while my character, and I learned a lot, not only as an actor, as a person. I was also lucky to live experiences that do not usually have a child of that age, and that has helped me to define myself a better person.
Mac: guess you've also had to sacrifice other things. What were the consequences?
JC: all know what they are. It is very hard, sometimes you can not walk down the street and stuff, but I'd rather stay with the good stuff. This work has been a turning point in my life and my career, which has given me a lot, and I have to be grateful.
Mac: 're one of the few actors who has not yet abandoned physics or chemistry. Are not you worried typecast?
JC: I think about it long and I know that is something that is there, but I think that the "box" has already spent some fashion. Before things were raised differently, and TV and film were not so out of hand as now. The real problem is not that people pigeonhole you, is that you pigeonhole you as an actor. When you take a long time in one place, you feel comfortable, and you forget that you can do other things.
Mac: plays a young homosexual in high school. Have you noticed the work other partners, such as Alejo Sauras in After school, to prepare your character?
JC: not that have looked at the character of Alexis to create my paper, I grew up with that series. I've never watched other characters because they were gay. In my case, when I prepared my paper, I analyzed all the features that had the character and one of them was that he was gay. I have never pretended that its central axis was his sexual orientation. I think if you put in front who is gay, before a person is, do you fall into a stereotype.
Mac: Does it bother you that the public confusing the actor with the character?
JC: No, because it is something I understand perfectly. What I would like to achieve is that, over the years, I know for my career and not a job he has done.
Mac: I express and respond very well to questions. Some series make you a consultant that teaches you how to handle these situations, and dealing with the press. Has your case?
JC: Not at all. What if I got was a coach , when we started, to help develop the character. We also gathered all a month before starting to record for us to leave knowing and doing group dynamics. To answer the questions I have learned to base going to grant interviews I've been doing over the years.
Mac: Do you think being seen in some events is a good way to promote your acting career?
JC: do not know. I'm going to premieres and others because I feel like and not for publication. I try to select the sites to go, either to meet some friends for a movie that interests me, or just to have fun. I remember that, at first, as was the novelty, went to the showrooms to dress for these events, but now I tend to go always with my clothes and do not dwell on what I'm going to get.
Mac: You recognition public, but you'd get the criticism?
JC: When you make a number of teenagers is very easy for many people not take you seriously as an actor, regardless of the quality you have your work, or the product you are. I believe we do a great job, but I understand that if you want to rate it had to combine with other projects. I do seek that recognition and I am so excited to play in preparation, because it's very different from what I've been doing all these years.
Mac: 've made some shorts. Do you think that is a good way to experiment?
JC: Not only that, but You can learn a lot. I've worked with directors who have a tremendous talent and I know they will do great things. Another advantage of the short is that you can work with less pressure when you do movies or television. The atmosphere is more relaxed and do not have much responsibility. We must encourage the public to see shorter, because there are many small, but great stories that are worth seeing.
Mac: What criteria do you follow when choosing a short project?
JC: I love movies, I'm a big fan and I recognize when a story I like. I think I have pretty good sense for that.
Mac: How do you prepare your characters?
JC: Especially for my intuition guide me. I read the script and try to understand the character and know why he does what he does and thinks and thinks. I usually carried away by what I felt when I read the script. Then when I read it a few times and I have the essence of the character, try to speak with the director to create your life and the past he has had. Once I have all these experiences, I begin to live the present.
Mac: Are you scared to think that your career could end up here?
JC: is something that, like everyone, I have gone through the head. The only thing I can do about it it does not happen is to try bringing something different to the actor. I think that if you give something else you do not have to stay on the road, because you are not one more. I'm not one of those people who may be sitting waiting for the phone to ring. Must move, and if my career ends here, I'll go to England or France and try to continue there.
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