Bulky Ovaries Without Cysts

! New amigurumi

Good night everybody!!

Well, I know that long ago that I pass by here, so I ask forgiveness.

And of course, yet I have nothing to tell, but I promise that when I come up the least, I'll put it here.

The truth is that I have thought about what to exhibit, but not yet fully developed the idea, so you'll have to wait a little ^ ^.

Finally, I can only say that I wish you a Merry Christmas
everyone! and fulfilling all your desires as well as my own.

A strong warm hug and a kiss to all who read this blog and of course, also for the world.

There goes one of my wishes: EVERYONE TO BE HAPPY AND STOP THERE SO MUCH MISERY .

MERRY CHRISTMAS AND HAPPY NEW YEAR TO ALL

Giving Dogs Kolonopin

: "Nothing is impossible if you put your mind"

Angel Caballero / Look at the camera

It's one of those actresses that when you look you know they have something. Maybe it's talent, charisma, beauty, youth ... or a perfect combination of all of them. Ursula Corberó has gone through series such as "Vendelpla", "The Internship" or "Countdown, but was" Physics and chemistry "which launched her into television stardom. Now it gets into the skin of Beatrice, a new character that we see in The Republic. "

camera Look: Do you think that being an actor requires more courage compared with other professions? Ursula
Corberó: I think that this profession is very vocational requires great commitment and discipline. This does not mean that others are not but you have to sacrifice things important how the availability of the clock.

Mac: Did you need courage to leave a series as successful as "Physics and Chemistry?
UC: Of course, we all have insecurities, to ask yourself a new job is always present stage failure. You never know what can happen. "Physics and Chemistry" has been the most beautiful experience I've experienced so far but everything has an end and it's time to experience new things, I hope I have made a good decision.
Mac: In one of your recent episodes of "Physics ..." played a song with your mates. I have understood you have received singing lessons Is it important for an actor to have some knowledge of singing or dancing?
UC: To work as an actor you learn more things better, you never know the character you play will play. I've always liked the music world, from tiny studied singing and all kinds of dance, I love!
Mac: So ... Do you throw in a musical work?
UC: Of course! I would love, I do not know if I would sit as comfortable as in the interpretation ...
Mac: If you were offered a star What would you like?
UC: "Chicago" or "Moulin Rouge", I have very clear,
Mac: You have just entered "The Republic", the spin off of "The Lady". "You used to follow the plots of this series?
UC: Honestly, no. I have no time to watch TV but now I've started recording the Republic and have seen how people work there, no wonder I had so many followers.
Mac: Will we see a new Ursula in this job?
UC: Man, I'm still the same ... (laughs). My job is not showing me as a person but to try to externalize my various records, so if I can say is that the sophisticated and attractive Ruth has nothing to do with this sweet and amorous Beatriz
Mac: Are you afraid of idea to defraud the viewer with this new character?
UC: rather not think about it, I try to do my job to the best of me so I can never say that I have been a hundred percent, it is clear that you can not please everyone, different points of view must be respected.
Mac: How do you prepare your characters?
UC: I'm very observant. Sometimes I like to think about how my character would react to things that happen to me.
also document and work soil physicists to distinguish between them, whether gestures or gait.
Mac: Have you documented this historic moment in which your character's storyline in this new series?
UC: Yes, although I still have ... (laughs)
Mac: "Film and theater are pending in your career?
UC: The truth is I'm impatient. Little by little ....
Mac: 've worked with many colleagues, I imagine, you've seen on TV since you were a child. How does it feel when this happens?
UC: At first I imposed a lot, as I was working with them I learned so many things ...
Mac: Who did you learn more?
UC: always learning new things all the actors, however novel it may be, it is important to be objective about what you see ahead and try to filter the most interesting things about each.
Mac: you ever have asked for an autograph to another actor?
UC: Frankly no, but it could be the case.
Mac: What would you say to young people who want to devote to this profession because they have seen your work?
UC: That nothing is impossible if you put your mind, it is important to keep things clear, the sooner the better and fight for what you want and makes you happy.
Mac: Are you happiest when you're in front of the cameras (the press) or when you get to get away from them?
UC: I am very happy when I'm surrounded by cameras but that does not mean that it is enjoying my friends or my family in my personal life.
Mac: What richer that has brought you this job?

UC: The power to know so many people and share with them the love we feel for our profession.

Is It Herpes Or Ingrown Hairs

ALL AND FOR ALL! CULTURE

IS THAT MY PARTNERS EUROPE Bloggers are having a VERY STRONG COLD AND SNOW.

LES MANDO FROM ARGENTINA A LITTLE BIT OF HEAT, ESPECIALLY FOR HELP TO KEEP THE freshest Almita !!!!!!! WITH ALL LOVE YOU I WISH YOU ALL OF THAT CONTINENT AS WELL AS THE AMERICAS TO A STRONG HUG AND I WANT MORE OF 2011 PEACE WELL-BEING AND AFFECTION !!!!!!!!!!!!!!!!!!!!!!!!!!!

OCEANS MORE THAN OR WALLS THAT SEPARATE, WE BUILD BRIDGES TO ARRIVE !!!!!!!

Dancing Bearrapidsahre

Damaso Conde: "When you know that the director trusts you, you have half the work done "

Angel Caballero / Look at the camera
Damaso Conde is one of the human actors I've met in this profession. I remember that we had in the central Plaza del Dos de May, just before going to Argentina to film "Neon Meat." I had never seen him work and a few months later I see this movie. You can not imagine the real luxury of being able to congratulate a colleague, from the maximum Indeed, he has done a great job. It seems I'm not the only one who thinks so, for those who have seen the film at Sitges and the Seville Film Festival, and speak of him as a rising star of English cinema.

camera Look: few months ago I asked you did this interview and you advised me that it was better to wait to be closer to the premiere of the film. An actor has to learn to wait? Damaso
Count: Yes, even when you're working you have to be aware that you are many hours of waiting in the clubhouse. Terele Pávez once told me: " This profession did not choose you, you you choose it. " This is implied in all the waiting and many other things in this job that can be a little harder to bear.
Mac: What would you say when you chose this profession?
DC: Well, I think we're about to get married. (Laughter)
Mac: What has it meant Paco Cabezas for you as an actor and as a person?
DC: It was very important. We met when we were studying in Seville. He was always very clear that it would come to Madrid and make their films. The truth is that it has committed much in me and has never stopped calling me. Even when "Neon Meat" was not short or film, he had to submit a dossier, with photos and some video for a contest and already at that time offered me the character of Ricky. That was seven years ago, when he was newly arrived in Madrid. For me, Paco means a lot. Is a director with whom I have great confidence when working and when you know that the director trusts you, you have the job half done.
Mac: appears that the reunion went quite well.
DC: Yes, but not only celebrated with Paco. I also liked back to work with some colleagues who were in short or Vicente Romero Macarena Gómez , whom I have known much better and has shown me the great person he is.
Mac: Was it very different The Infanta, your character, which we saw in the short, which now see the movie?
DC: Maybe the difference is that there is a kind of serenity that was not in the script of the film. It has been five years since this, in which we have all matured, and it shows in the film. On the other hand, of course, the plot is more along my character and think of other things like that becomes infatuated with a baby experienced a kind of call of motherhood, and all this in a comic.
Mac: In this movie there are many well known actors such as Jane Doe , Blanca Suárez, Antonio de la Torre or Macarena Gómez, but after his passing at festivals, many media have demonstrated a special interest in you as a future promise. How does it feel when this happens?
DC: The truth is that I'm not very conscious. I guess when the movie opens, and spend a little time, you will be able to answer this. What I can tell you is that makes me very happy.
Mac: Carne Neon "is your first film and which appear, in all your plans, characterized transvestite. Are not you worried that the public will not be able to see other records or do not recognize you when you appear in future projects?
DC: If that happens, it scares me because I happened to short. After "Neon Meat" I was offered a play in which my character was inspired by the Infanta, and then made a short film that was titled "Ladybug with dog." Fortunately, these characters were nothing flat, but their sex were the same. There is a fear of being pigeonholed, because they let you enjoy other stories that maybe I feel like telling you. What really strikes me as dangerous is that, being my first film, as people do not know me, you think I'm like the character and not offer me other jobs.
Mac: 've worked on some shorts. Have you been a good school?
DC: Yes, and long has been a super school (laughs). The good thing is short, as the team is small, you can work side by side with them and learn a lot. It also makes you realize how important it is the job of director of photography, sound ...
Mac: In some, such as "M," I'll never be anybody? "Have sex scenes somewhat compromised. Will not it be too risky for a short?
DC: is that things can not risk not interest me as an actor. I'm not attracted to characters levels to which nothing happens inside. I have great affection for Miguel Martí , but "Sexykiller" I made the character of a reporter, where the only thing I asked was that it was a crazy ladybug and nothing else. I'd rather take a high risk scenes, but where it has to be genuinely involved and do a cliché.
Mac: To Roll "Neon Meat" you went to Argentina. When the team moves to another place and its members have to live together usually create a kind of family. "I did this happen to you?
DC: Yes, for example, Macarena and I slept together a few nights, because I had trouble sleeping and she helped me relax. Vicente Romero was used to prepare dinner and then went out all together. It created a kind of bond that I think has really helped the film. To me it was my very important to see an authentic relationship with Mario Casas. I wanted people to go see the movie to understand what unites me with his character and why I have always been at his side.
Mac: Are reader of film magazines?
DC: When I was little it was more. Now do not usually buy. I hope this does not harm in the future and I never want to take any of these magazines (laughs) I see a lot of films, but I'm not very up to date with everything that is published.
Mac: What attracts you to the cinema as a spectator?
DC: powerful stories. More interested in what I have to tell a director, or a good script, the actors who appear in the film. I love the directors Haneke, Lars Von Trier , Fellini , Isabel Coixet, Fernando León or Icíar Bollaín .
Mac: All do you have appointed a very different kind of cinema to what, until now, have you done as an actor.
DC: may attract me so much. When I go to see some of his films, it's like something happened inside me that I touched and transformed me.
Mac: Do you usually set in the work of other actors when you have to prepare a character?
DC: No. Although "Neon Meat" Paco Cabezas asked me to fix on the character that made María Barranco in "Women on the Verge of a Nervous Breakdown." I saw the movie several times until I got some things that were very helpful, as his speech. For me, it was very important to work with a woman as a reference and not with another transsexual. I wanted to get in touch with his feminine side and develop to the fullest, because this character he wants to be a woman. It also helped me a lot when I was characterized with makeup, costumes and wig. Before shooting began pasearme used as the character, between the computer and I noticed as I was growing inside me. My major premise to create a La Infanta was that they wanted, which is what we all want ...
Mac: "You prepare the same way all the characters?
DC: always begin doing a table and then try to go wide open the tests, to ride the situations that occur. I also trust my intuition a lot and I make little attention to the director.
Mac: What have you learned from your peers in this movie?
DC: De Macarena I love your professionalism. She always arrives on time, we know the text perfectly, has a great ability to concentrate and control brands to perfection ... In other colleagues, as Angela Molina, who have spent their entire life in this, as you imagine ... there were times I did not know if it was working or living in one of his films. The first time I had to side was fun. I was lying on a bed in the room off to the times when you're not rolling. I was half asleep before you put the wig, makeup, clothing ... and when I woke up I found her asleep at my side. I did not know anything and I felt sorry for getting out of bed and wake.
Mac: Where would you like to arrive?
DC: I am nothing ambitious. I think things come when you have to reach. Everything has its time.
Mac: Is there anything you would like to add?
DC: No. So we keep something for the next interview. (Laughter)

New Remote For Elantra

Dafne Fernández:" I know that if I fight for what I want, no one will do for my "

Angel Caballero / Look at the camera

Gerardo Herrero opened the doors of the movie when it was just a child. His perseverance, effort, dedication, talent and beauty were not lost in the eyes of industry professionals and film audiences as "Box 507", and series like "Step Up" or "Los Serrano". Dafne Fernandez surprised us again last summer with her comedic in "Sex in Chueca, and has demonstrated great versatility as an actress in the hit" Land of Wolves. "

Look at the camera: You started very young in the world of dance and film. They say you are very disciplined dancers, have you applied that discipline to your work as an actress, along these years? Dafne Fernandez

: Discipline is the ability to focus their own efforts to an end. That's how I was taught to work, and that's how you get positive results. If not I fight for what I want, no one will do for me.

Mac: Your first feature film, as a child, were the work of great directors like Gerardo Herrero , Juan Antonio Bardem or Carlos Saura . What do you teach?

DF: Everything. I had the good fortune to get started in this profession with the best. Never forget my naps with Paco Rabal, or when we drew together and I Saura.

Mac: With Saura will meet again in "Goya in Bordeaux", two years after working in "bird." Do they influence a lot those two years in your growth as an actress and as a person? DF: As a person surely be an actress meant an extra effort to my studies and dance school. I never wanted to be left behind. And the reunion was something almost logical Saura. I was totally captivated of his work in "Bird" and he did the same with mine ... That was my luck.

Mac: Television provides a wide popularity. There are actors who can bring in a more quiet and others to which the above. How did you live that "boom" that was "Step Up"?

DF: The success of "One Step Ahead", not only in Spain but in much of the world, was unexpected. Arrived. And as he arrived, he was assuming. The truth is that it was wonderful to know that a lot of people follow your work and is thrilled with the plot of the characters is wonderful. I received much love from the people and enjoyed that time. I always have good memories of that series.

Mac: Marta Ramos has been the character that you've lived longer. Was it hard to get rid of it?

DF: Marta was not very different from me. She was a girl studying to be the best dancer in the world and in the same condition I was in those moments. A seventeen year old girl fighting for a place in this world. When he was not doing as Marta Ramos on the set of filming, he did as Daphne in the classrooms of the Real Conservatorio Profesional de Danza de Madrid.
Mac: What was it that made you abandon the dance and decantarte for acting? Was it a deliberate and conscious decision or did it?
DF: I had to make that decision when I finished my degree in classical dance. I had to choose between dancing in a company or do the third season of A Step Ahead. I made the decision immediately, because that was what made me happier. I chose acting.
Mac: Was it hard?
DF: admit I felt a vast emptiness and deep sadness for leaving the dance. It was something that filled me with wonderful feelings, combined, among many, the pain and pleasure. Dance gave me everything. My values in life, my level of demand in the work, the sensitivity with which it is to look at things, teamwork and individual ...
Mac: Been a long time playing a character that you felt you could not give more?

DF: "No power" is something that speaks not think at any time. You can always do more, always. What has not been able to get more out of character? Many times, but that more work for me to spend less.
Mac: Many of us have discovered in "Sex and the Chueca" a Dafne completely different from what we've seen before. Did you ever scared you take on a character so silly and funny?

DF: Just before "Sex and the Chueca" I was doing a course with Inés París on comedy. We work several sequences of Woody Allen movies . And I had a pipe. Rarely felt such freedom playing. And that's when I realized I could play Vero. I myself would have bet on me. I never thought I could have so little shame.

Mac: A Vero, the character he played in this series, often confused with the actress Dafne. Do I have to learn to laugh at yourself?

DF: It is essential, laugh at yourself is something enjoyable, liberating.

Mac: Some of us would have them do a spin off with the adventures of this character. Would you be willing to do?

DF: without thinking. I'd love to reconnect with Vero, I miss it.

Mac: How do you usually prepare your characters?

DF: first need to know where the character is and how to handle disputes. Infer their personality and seek references. Then I sequence by sequence, conflict by conflict and find out more traits of his personality. Shortly by little I begin to know the person that I will be able defenderla.Ese life and so is the process that I like. It's like going decrypting the key will get you to feel free to interpret.

Mac: Do you often seek the help of a coach ?

DF: Occasionally. But to see a loose string.

Mac: 've gone through the musical theater with "Fame." Did you have to get back into shape, as a dancer, for this project or you've never left at all?

DF: I had to get back in shape, and it was not easy. I laced up the tabs. But deserved well worth it. I was able to enjoy the dance.

Mac: Do you think the players need to do a good physical workout?

DF: No more so than a person who is not an actor. You have to watch. Our front is our showcase, we can not forget. Our physical often determine the character that we offer. Although I would love to give me a totally opposite to what is physical me.

Mac: Of all the jobs you have done, by what has you most excited to congratulate you?

DF: usually value more criticism than compliments. Saco more benefits from the criticism, because I can learn from mistakes. But I must admit that congratulations for Vero ("Sex and the Chueca") gave me great confidence.
Mac: "Tierra de lobos" has brought you back to Prime Time TV. "When you tend to accept a new project to assess the time slot in which to be issued or the potential audience you can have?

DF: for nothing. "Tierra de Lobos" I would have caught even be put on Sunday at two o'clock. It is a very ambitious project, with a fantastic team and a chocolate as a character. I could not resist never.

Mac: Just premiered "The Wolves", where you make a small contribution. What attracted you to this story, to the point of wanting to participate by doing something so discreet?

DF: I met Gerardo the Mannheim Film Festival (Germany), and I was talking about "The Wolves" as his next project. I fell in love with the story. But there was never a character I could play. Two months later called me and said he had written a cameo for me, and if I wanted to. He was one of the most wonderful gifts I have.
Mac: seems that we are living a great moment for the actors to try English adventure American. Did you have raised?
DF: There an American project, but for now is just that, a project. It is a remake of a Korean film, written by David Franzoni (winner of an Oscar for "Gladiator"). The script and my character is incredibly challenging. I'll tell you more detail when it comes into operation ...
Mac: Where do you see next?

DF: Every Tuesday at 22:30 pm on Telecinco, with "Land of Wolves." And on the big screen in "The Wolves", with the year of wolves ... (Laughter)

Photo: Beatriz Olivares

Denise Milani Nipples 2010

Félix Sabroso:" My main inspiration is the people around me "

Angel Caballero / Look at the camera
never forget the night I met Felix Sabroso. It was at the premiere of the film was directed with Ayaso Dunia, "The island within." When I presented it and it was time to speak with him did not know what to say. That movie had touched me so much that he was unable to release two words together. I came home with the feeling of having been like a complete idiot. Now I can confess that when we were to do this interview I was terrified of returning to look like a jerk. Luckily I met a director of actors, ready to confide their stories, from the affection and generosity.

camera Look: While preparing this interview I have come to mind that song Francoise Hardy French , listening over and over Alberto San Juan in "inland island." I get the feeling that the music is always present in all your films.
Félix Sabroso, Dunia A and I both love music and have a very wide spectrum of musical tastes. English songs we hear from the most pop up Anthony and the Johnsons, through the songs of the sixties, the rate of Francoise Hardy or Juliette Greco. During the process of writing our scripts, there is usually a series of music you are listening, some by chance and others because they are great sources of inspiration for the story I want to tell. We tend to make us a CD that becomes a soundtrack that background we have at home. Of all the songs always end up selecting one for the film. Even when we send the script to the producers, in some cases, we have enclosed a CD with a note reading "music atmosphere for the reading of the script." The truth is that we should do a musical ...
Mac: Well, I did in theater.
FS: Yes, with the company Ques Quis Pas. We did two functions that brought us great satisfaction, because they were very good. Now let's return to acting.
Mac: Can you pass some of that project?
FS: We have written a function to Bibiana Fernández and Loles León. It is the story of two women, two friends and their friendship. They are two characters who are reunited after ten years and is written in the key of comedy. We have done some reading with them and in late January to begin the trials. It is entitled "The Great Depression" and it is likely that we release in April in Madrid.
Mac: say that comedy is one of the riskiest genres.
FS: is possible, because you have to find the right measure for the characters to be credible. I think it is more difficult to make a good comedy than a drama. It's a genre where you have to respect many guidelines for work and people can laugh and get excited. We have always faced it from a bitter point of view, and a personal touch. We also had the good fortune to have a very good comedy actors.
Mac: All your works are suffused with a large dose of humanity. Would you dare with a blockbuster science fiction?
FS: the end, put up a job always requires the same: knowing how to be a good runner and stay up as long as possible. The advantage of working on a blockbuster is to have a big budget, a larger team and longer. Particularly, I feel more comfortable with the stories we've had so far. The nature of our work has much to do with how we see the world around us. We like meeting new people, chat and experience through them. Dunia and I talked a lot about people, and that is our main source of inspiration. We had a hard time to devote to we like, because they come from a family that encouraged our creativity, our studies pay, or even support us morally. That always makes you a pulse by lying to yourself, to be able to get a way. In the end we realized that we feel safer talking about things we know.
Mac: What do you think before the premiere of a movie?
FS: I love brand. I look forward with great gusto, but also very nervous. I'm very fragile public reaction. We highly applauded few releases, but I always go with the responsibility of that showed a lot of work on behalf of people.
Mac: Do you trust the praise that makes you people about your movies?
FS: For that I'm pretty gullible. We have tasted success and failure. For example, "fuss" was a movie that appealed to a very specific audience, but there were many other people I did not like, and I did notice. Several producers, colleagues and critics crucify us for this work and then we took a lot to overcome.
Mac: Is it difficult to earn a second chance?
FS: The Americans always say " You are worth what it's worth your last film. " The figures weigh heavily in this industry. I've never put my energy into it. I have worked with total freedom without thinking about whether it will be a blockbuster.
Mac: Your latest film, "The inner island" was never intended for a very commercial, but has received very good reviews from media and peers.
FS: With "The island ..." I feel like a father who has had a premature child, sickly and, finally, get out ahead. Wrote the script in a very difficult time for me, it was the death of my father, and all the consequences that this family brought. It's a film that was born from a very close emotions, and it was important for me to do it. The script walked by all producers, but no one trusted the registry change that we proposed. It took six years lifting. Theirs had been putting it in a drawer and do not do it, but decided to go for it and begin to move by broadcasters and seek grants. We come to get enough funding and, finally, the production "Facility" decided to go for it. After this long process, are much more exciting that we are all reaping rewards.
Mac: however, was the most overlooked in the latest edition of Goya. Did it hurt not having the support of The Academy?
FS: We made the mistake of submitting the film to the shootings last year before being released. We did it with the enthusiasm shared by us, producers and distributors, thinking that as he had received very good reviews, and awards at the festival in Valladolid, was to have a good effect on the Academy. The film had seen only those who were at the festival and no one else, so it was impossible for the voting. Moreover, competition with other candidates also very powerful as "Cell 211" or "Agora." Perhaps if we had this year, would dawn.
Mac: Do not hit the release date of a film can affect the operation of this evil at the box office?
FS: course. Your luck in terms of distribution, festivals that present or release date, is a very important factor. To this we must add that the English films are a very delicate, because every day in theaters last less is not always supported by the public and are not shown in theaters too.
Mac: Can you make a movie as hard as "The Island ..." and be enjoying it at the same time?
FS: During filming there were times when we cry and suffer much, because this movie has some very close. In addition we were filming in locations that have to do with our personal pain with what has taken us this far. We shot at school where we studied Dounia and I, in the hospital where my father died, on the beach where we grew up ... suffer, enjoy, and it served to exorcise many ghosts of our past. It was also very exciting to be so close, seeing the great job they did such wonderful actors.
Mac: "The cinema can be good medicine?
FS: I think so, because it is a good mirror of life. Many times we need to put that mirror in front to make an introspection and realize who we are and where we are. It is a good medicine to acknowledge our history, our past, our fears and our limits, through other characters. There are aspects of my life that has been reconsidered after seeing a good movie. On the other hand, being evadiéndote hour and a half of your problems and enjoy the lives of others, can be as relaxing as giving a massage. I love film, because it represents something magical humans.
Mac: Have you ever finished writing a script and read it again you realize that it was not as good as you thought?
FS: Yes, I have thought. And send scripts to producers and no answers. I've seen it all. It is very frustrating when this happens, because writing a screenplay is a very long process.
Mac: How did you feel when you decided to broadcast the series "Women" and was a success after having spent a year in the drawer?
FS: is as if your efforts are valued. It was a project I thought, get involved and work hard. So it was very painful when Tve decided to keep it in a drawer. The die was when he saw what was the director of La 2 and decided to rescue her. I am humble and do not like reading the book who was my opponent at the time, because I assume that their reasons would be, but it was a great joy when we had public support. They were the reason we ended up giving.
Mac: you not given the opportunity to continue the series after this reception?
FS: is something that was raised, but it was very difficult. A year had passed since its recording, the sets were destroyed, had to re-build everything, and most players were already in other projects.
Mac: I had Inma Cuevas in his interview that on one occasion asked him to forget the text and improvising. Not usually the stuff of someone who has written the script ...
FS: Scripts are generally respected. What happened on this occasion, is that he left one of the characters had changed the lives of others. In turn, it was also the departure of actor who left the series. Inma and Oriol Vila had very good chemistry from the beginning, they were very dear, and that I knew. When she said what I was writing I realized I needed something more, because I knew so little. I knew that the actress was sad that day because his friend left the series, so I gave her free rein to express their emotions.
Mac: Does every actor needs to be addressed in a different way?
FS: Absolutely. There are so many different actors as human beings in the world. Dunia and I presume to try to meet the actors with whom we work to see what their strengths and work from there. Spoil much the actor to feel safe and can give us the best of himself. Some work from an emotional point from another site and other technical. It takes a little psychologist.
Mac: "When you see some of your work you know recognize what parts are which are Felix and Dunia?
FS: We are very mixed. When you see movies we do recognize some element of another. I worked more with the actors because the script is mine, and was responsible Dunia over planning, working with the cinematographer and the technical part of the film. Gradually we have been mixing and have been integrated in the process of the other.
Mac: What projects do you have to look at?
FS: A film to be titled "The front door, with Loles Leon Lolita . The story of two women living in a working class district of Madrid. We have also written a film that has many key thriller . The suspense is present throughout the script, but has a similar background to "The island within." Talk about how we grow with the family heirlooms. We have translated the script, because we would shoot it in English. The idea would be to shoot outside Spain, but for now is a dream, and that is not yet supported by any producer.

Bigger Boobs Milena Velba

Hello again!

Today I'll show you a new amigurumi they asked me (as is with its owner). Only took one day to do it, but it was because I was a little smaller compared to the other two that I taught.

Well, here it is:

is very cute, is not it? jejeje

Chelasea Charmes And Maxi Mound

Vicky Luengo:" I still much to learn "

Angel Caballero / Look at the camera
Just twenty years, but it works and is expressed with ease and professionalism of someone who was born to be in front of the cameras. He has done theater, has gone through series such as "Hospital Central" or "fishbowl Eva "and has stepped up to the directors as recognized as Oristrell or Colomo. just playing Mérimée's Carmen in a co-production, directed by Jacques Malaterre. Luengo Vicky is a young talent who has much to say and if no, read and judge for yourself.
Look
camera: say that very young players are starting to sacrifice a lot. What have been for you?
Vicky Luengo: I've been lucky because I remember having to sacrifice much, if I could combine everything well. If I had to say something better choose the "sleep". The hours I spent doing work or studying at night because they can not go to class during the day ended up taking its toll.
Mac: Since you started working, have you noticed a major change in you or in the treatment of those around you?
VL: work and grow always makes you change. Every job brings you things that make you change personally and professionally. I'm proud of every change, I always try to enjoy it.
Mac: Have you had time to train you in school or have learned to work?
VL: A bit of both. I have been combining work with training, I think it is very important. I began my training in a musical drama school nine years and then kept in the College Barcelona Theatre in Central Film and Legs Fernando in Madrid. Soil using periods in which I have no job to form. Even so, for me to learn to work has been the best school. I learned a lot and I still have much to learn.
Mac: How do you remember the first time I took a test?
VL: as something magical. It was for a musical at the Theatre Regina de Barcelona. I remember I was home and called the landline. My mother answered, only to see his face I knew I was going to give me a good news. I remember I was jumping all afternoon. It was nice ...
Mac: What do you expect this profession?
VL: able to continue living with it for a long time, because that's what makes me happy.
Mac: You just play the Carmen de Mérimée. What's new in this version we could not see in the above?
VL: is a free version adapted by the director (Jacques Malaterre ). One of the things that struck me when I read the script was made to maintain the original old Carmen (eighteen years) Prosper Merimee proposed in his novel, as in many previous versions Carmen has always been older. I think an interesting point of history that is a Gypsy teenager to wake up this madness in men. The script
Jacques is also a new ingredient, revenge. Is something that unites the stories and presents you with a clear justification of how to act the character of Carmen. We filmed in the Camargue (southern France) and the music is by Gitano Family.
Mac: guess who had to be a challenge for you to be able to take on a character of this caliber.
VL: has been a gift. Carmen is not a simple character and have nothing had to know it well starting from the bottom. Giving many colors. I have been asked many times if I'm not impressed by having to play "a myth", but honestly I have not thought about it. I tried to give birth to Carmen in me from day one. Personally I have changed many things and I know from today is a character who will join me throughout my life, it is impossible to remove me, not want.
Mac: I went up to the tables at age fourteen. What is the magical world of theater that attracts so many people?
VL: Theatre is life, is now. It's the magic of feeling the breath of the viewer, knowing that never again text or you will say that this movement in the same way because every day is different but tell the same story.
To me the theater is like a shower, something that an actor must do often to return to his base and keep growing.
Mac: "The bowl of Eve" has been a starting platform for many young actors. What do you think was the secret to this series has so many followers?
VL: The freshness and proximity to the real problems that young people now live and how to treat them. I guess that is all improvised a touch of naturalness and spontaneity very good for the viewer. I also think that gap has become the standard in social networks and the Internet is a very strong foothold.
Mac: What did you learn working on "The tank ..."?
VL: Many things. I purchased a very large capacity for improvisation and learned to solve at the time and without notice, small contingency displayed while recording. When improvising, everybody gives you the most and is required to have 200% of listening to the partner, and that is appreciated.
Mac: You look happy after your visit to this series.
VL: The truth is that I had a great time in "The Fishbowl ..." all improvised scripts. I had the opportunity to create the character in my way and take a few nuances that sometimes when you have to stick to a text is not so easy to take. Working with managers and colleagues themselves was very rich, give us things we could not stop and wonder for every shot. Although like everything else, when you improvise, you miss having a text that restrict yourself and vice versa.
Mac: How do you prepare your characters?
VL: Much depends on the character. But whenever I start to prepare on the basis of documentation and preliminary observation. For the film "Carmen" It helped me book Jan Yoors (Gypsies), I saw many of the previous versions that have been made in the film Carmen and visited, to know them well, all flamenco clubs that exist in Barcelona. I was also lucky to be invited to a birthday party a real gypsy camp in Arles (France). See how they lived and share with them part of your world made me understand them and understand their way of life, their soul. That day was one of the most beautiful experiences of my life I'll never forget.
But of course what really helped me are the trials of Jacques and the other actors. Get into the head of the director to see what picture does he have the character and from there so that we can give color.
Mac: Finally, Where you can see them next?
VL: In the movie "La Trinca" directed by Joaquim Oristrell to be released next year and as we discussed before, in "Carmen."

Black Spots On Dogs Fur Causes Of

Competition in "The Library of the Morgue"

Goodnight!

Well as you can see in the title, this entry is about the competition at the Library of the Morgue.

What is drawn is the 2 nd book in the Saga of the sixteen moons: Beautiful dark. Written by Kami
Garcia and Margaret Stohl. Synopsis



After Beautiful creatures, comes the second volume in the saga of the sixteen moons, Hermosa oscuridad.Tras Lena's birthday. she and Ethan are created with strength to face any situation, it is dark, but the loss of a loved one of the young makes it away from Ethan and save even more terrible secret ... However, the boy opened his eyes to the darker side and no turning ago.


It seems to me a great saga, according to people hooked on the cute.

Finally, the website lists all the requirements to participate in the contest.

A kiss and the best man win (I share LOL)

What Are The Chances Of A World War 3

Carlos Montero:" There are true alchemists of the actors, who turn coal into gold "

Angel Caballero / Look at the camera
been a few years since Carlos Montero was behind the camera to direct his first short film. His talent, risk and skill as a writer have been reflected in shows like "The Wright Stuff," "commissioner" or "Genesis", besides being the creator of the successful "Physics and Chemistry." He recently released "Easy Money", his latest short as a director, starring Mario Casas, who is garnering applause wherever he goes.

camera Look: I have understood you started directing a short film, starring Victor Clavijo and Eduardo Noriega . Why have you stopped spending so much time to face your second job as a director?
Carlos Montero: Well ... I can not tell the truth. I guess I chose the script because I felt more confident writing than directing. But I must say that this year when I was running "Easy Money" I realized what I had missed lead. I hope never again to spend fourteen years until the next short.
Mac: Your next step could be a long?
CM: Wait, that makes me laugh. I doubt this is my next step. In a few years as rare as those in which every day becomes less film, and it is so difficult to raise production, I do not think there is no producer mad he wanted to produce a movie. Nor do I have no written script. If you suddenly emerge organically and naturally as did the short ... well, maybe I could call some door, but I am convinced that I would give to her face.
Mac: Is it exciting to see how a series created by you as "Physics and Chemistry", is issued in other countries and has been dubbed into other languages?
CM: Sure. Has its charms. As Americans discover the fans suddenly make montages on YouTube in the history of Fer and David.
Mac: Working on "The Wright Stuff" and you are the creator of "Physics and Chemistry." Do you feel, somehow, the father of the last two generations of actors?
CM: Does the father? Not what you, uncle or distant relative as much. And even. I guess it may feel the directors of the chapters and casting directors. I do not.
Mac: Do you think this generation has undergone many changes from its predecessor?
CM: The truth is that I could not tell. I believe you share the enthusiasm and desire to work. I do not know if we could speak of a clear difference in the approach to work. And then there are actors in a timely manner that I like more than others
Mac: Since its inception, "Physics ...", has drawn much criticism saying the way they are portrayed to the world of drugs or sex on Adolescence was not real. What do you think about it?
CM: course it was not real. It is a fiction series.
Mac: How difficult is the gaps in a project that you created yourself?
CM: I do not particularly difficult. But I think it has to do with my character. I am in closed stage and I think that the most healthy is completely dissociated. Especially respect for the new team and mental health, what is the thinking, I would have done it differently, and this one ... And if you're still wanting to participate, you screw up, not having gone.
Mac: Once you have, do you still keep contact with the new team takes over the series?
CM: I keep in touch with them, but because they are friends. And sometimes I have problems or where they will take the series. But not because I are referring to but because it arises in conversation, and I try not to say much.
Mac: "Genesis" was also your creation. What do you attribute the failure of that series? Perhaps it was too modern or American for that time?
CM: "Genesis" was commissioned and the creation of several writers and producers. For the record I'm not throwing balls out, because I'm proud of it. I'm just saying the creative process was different from "physical ...." What failure? Well, sometimes things work sometimes not. And we were in a chain that has just been born, I guess that also influenced. And I guess we did not give the right tone either. Too cold or too dark. And not interested, go.
Mac: When a project like this does not work, can you take it personally?
CM: Yes, I always take things personally. And I would not. But I've learned to overcome growing very quickly and do not lick my wounds. It begins with another new and ready. And although it is obvious, you learn lot of failures. A lot.
Mac: Can we educate the taste of the audience or you have to give what he asks?
CM: I believe in balance. You can not forget the audience, you work for it. But I think the same audience that will demand a product of pure escape, you may also be demanding something more of substance. I can be a spectator of "Save Me" and "Six Feet Under, why not?
Mac: Have you seen a player break one of your scripts?
CM: And many save some dialogues that were not as good as they should. There are real alchemists actors, turning coal into gold.
Mac: Do you plan jump into other genres such as narrative, for example?
CM: There has been some attempt . I guess I'll try again sometime. But I think I just try to post when I feel minimally satisfied. And that moment has not arrived.
Mac: What future projects do you have on the table?
CM: We are adapting the novel "The time between stitching of Maria Duenas . We're becoming a series of eleven chapters. It's an exciting challenge. And we're very excited.