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Yon González: "I like to surprise the public and, above all, to myself"

Angel Caballero / Look at the camera
can boast talent, charisma and passion for the craft of the actor who discovered when working on the series "SMS." I like challenges and face new and different characters. Simple, at the same intelligent, Yon Gonzalez talks about his short but eventful career. Has just released "Torrente 4" and soon we will see in the second season of "Gran Reserva".

camera Look: Did you ever imagine you were in the highest grossing film in the history of English cinema?
Yon González: Well, little or no thought being an actor, and never entered my head. It was a good experience ... I have done very interesting work for me, facing a very different and fun. During the filming of "Torrente 4" I learned a lot while I had fun. I played a little, but I'm happy with the result.
Mac: I have understood you had very little time to prepare for this character.
YG: Yes, I got the script on Friday and Thursday afternoon the following week, I started shooting the movie. It was a bit hard, because at the same time also was filming "The Internship".
Mac: What's life a shoot with co-workers, as Belén Esteban or Paquirrín , who are not actors?
YG: I had only six scenes, and all were with Tony Leblanc and Santiago Segura. I did not agree with them, so I can not answer.
Mac: I read somewhere that a child thought to be a mechanic ...
YG: If it is true. I've always thought stoned cars and work on that. I am very open to new experiences and I signed up for a fashion agency in Bilbao. Not that interested me much that world but I thought it might be a good opportunity. Had no pretensions to go out, meet people, enjoy and things happen to me. With that, I set out to do a casting for a daily series, "SMS", and they caught me. When I started working there I discovered I wanted to be an actor. It was all a fortune and a privilege.
Mac: I had a good reference at home: your brother. Do you make it up that first test?
YG: No, I helped with that casting was Look Ibarguren . We spent about three hours working on the text, which helped me a lot. My brother helped me at other levels, because I knew nothing about this profession, and had not even read a script in my life.
Mac: recently had your first theatrical experience Microteatro Money. What encouraged you to embark on this project?
YG: met Miguel Alcantud , the director of the play, because he was running a few chapters into "The Internship". From the first time became very good friends, so when I offered to do this micro work threw me right away. It was very nice, because it was born from some work we did improv. Miguel is a great director and made everything very easy and simple.
Mac: How remember your first performance in Microteatro?
YG: was so expectant as the public. There was a general feeling of "'ll see what we do ." People, to keep us so close, much intimidated. Look down or turned their heads away. I played like that this was because things were happening between us and the spectators, and that is very good. In addition, provocábamos physical contact with the public to take more what this format can offer.
Mac: Do you ever feel that the public reaction to your character changed?
YG: We we had very present. Well, it could not be otherwise, because we were stuck. (Laughs) If they were receptive and willing to get into the story, we moved a lot more.
Mac: you repeat the experience?
YG: course. There is a project out there with Michael, but nothing is yet closed.
Mac: How did you live those applause?
YG: In general, good. You never know how they will react. There are some who do not even applaud, but because they are in shock. Their faces and had a lot of things. It's all so close that, somehow, they feel they are invading Your privacy.
Mac: guess you'll have a suitcase full of anecdotes.
YG: I tell you. One day we got to do thirty and two assists. Another representation had to stop because my partner pulled, unwittingly, to a lady. We try to follow, but she went into a fit of laughter ...
Mac: Are you an actor of that risk?
YG: Yes all depends on the needs, but, while I can, I want to work, and find characters that have nothing to do with each other. I do not like to repeat things I've already done. I choose projects that move me and are a challenge for me. I have a good race and, at least for now, I seek to be doing the same thing to earn more money. I like to surprise people and, above all, surprise myself. When I started working as an actor suffered a lot and was very sad, because I knew how it worked the profession. He had many conflicts and insecurities with myself, but one day I said: " Or learn to enjoy my work, or else I am dedicated to ." I think since then everything is going better.
Mac: different characters and new audiences, because the followers of "The Internship" have nothing to do with the "Gran Reserva". Is this something you have in mind before embarking on a new job?
YG: Sure. It was one of the things I thought when I was offered this series, and to work with colleagues who have spent their entire life in this.
Mac: Well also share deal with your brother.
YG: But our characters have come to agree. I would like to work with him, but I want that when that day comes, is a big thing where we share hand in hand. Mac: I've seen you around a draft of a new film to be titled "Alpha." What can we advance?
YG: I hope it's an awesome movie (Laughs). We will run in August, so I'm preparing now, in the gym, all that is physical character. It is a story about gangs, and how they stick to each other. I've never done of mafioso, so it will be another challenge for me.
Mac: Does training is an important factor in the career of an actor?
YG: Yes, it is our working tool and we must take care. For me, it is more difficult to maintain healthy head, because this is a very destabilizing office four years I've been working nonstop and I have lived all as very intense.
Mac: I think "The Internship" you had long workdays. To what extent ends up being stressful for the creativity of an actor?
YG: is true that there were many hours of work. Luckily, my character was growing much and the writers were putting me a challenge after another that had to be overcome. At all times I raised it as a constant improvement, and may therefore not prove me so tiring. Do not think he knows much, but all I know, I learned there.
Mac: To conclude, I propose to throw the light back to answer Are there any job that you would not want to fall again?
YG: No. do it again all the same. I will not deny that some work has not been bad, but I learned my lesson. You see, I am of those who tend to prefer good (laughs)

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Symptoms and Signs of Ascension



Many will have noticed that are happening inside a series of changes without having a very clear reason why it happens.

The arrival of the Age of Aquarius on the planet Earth is causing internal changes both at the same planet and every one of the beings who live with the sole mission of "coupled" and "adapt" to the new vibration causes the Age of Aquarius ...

are explained below certain "symptoms" indicating without doubt a change in the energy and spiritual man who does that is gradually adapting to a change deeper into his awakening, ascension vibrational and spirituality.

is important to be aware that although our evolutionary process is rapidly accelerating, along with new high energies, we are all experiencing these changes in our own way and in our own time, according to who we are and consistent with our code and the divine covenant that each and every one of us did at the time of birth and has a goal and not transferable to get evolve. Also, generally speaking, our ascension process relates to how we flow our life and energy to every barrier, every block and every taboo can be transmuted automatically purify, incorporating more light within ourselves.

Some of these symptoms may be noted the change in its interior are

Feel like you're in a pressure cooker or in intense energy: Remember you're adjusting your material and all your fields energy to a higher vibration.

A feeling of disorientation, not knowing where you are, feeling of being out of place. You are gradually abandoning the Third Dimension live in physical and earth to delve into the Fourth Dimension, a dimension of love, perception and Intuition.

unusual aches and pains throughout different parts of your body: You purificándote and releasing blocked energy from the 3rd dimension, as you head to a higher dimension of existence.

Waking at night between 2:00 and 4:00 a. m: During this short period of the night, the Cosmos is opened and many are awake so they can pray, ask and even connect with the Divine energies and even with Light Guide.

Memory Loss: A profusion of loss of short-term memory. You are more than one dimension at a time, and back and forward is part of the transition (you experiencing a "disconnect"). Also, your past is part of the Old, and the Old is forever gone and that the past does not exist. Being in the Now is the system of the New World and the only place real time!

"View" and "hear" things change in the process of vibrational spiritual channels are aligned and even open and depending on each gift that you can be much more sensitive and receptive to other realities. (It is important first rule out any mental illness that is).

Loss of identity: You try to access your true essence and that makes you feel inside you different because you have access to the memory of Divine tending your identity so much more open consciousness and rejecting the "role" in this play called Life.

periods of deep sleep: You are lying around, acclimating and integrándote and is very normal that your etheric body needs to "visit" far more often the higher spiritual plane to acclimate to the change.

Increased sensitivity to your environment: Crowds, noise, food, TV, other human voices and various stimuli are barely tolerable. You also can easily overwhelm you and you feel easily overstimulated. You're tuning into and any excess energy and mass are naturally avoided. This is temporary.

feel as if you were not doing anything: You're in a period of rest, "reconectándote" and making a break at the interior and you can go a stage without wanting to do courses, reading, going out, etc as your real need is inside . While this happens you enjoy yourself, the little things in life and not get bogged down.

An intolerance for things low vibration (of the 3 rd dimension) reflected in conversations, attitudes, social structures, modes healers, etc: They make you feel "sick" inside as the gossip, reviews aberrant or criticism and are part of a vibration that you will not. You are at a higher vibration and your energies do not accept these environments.

A sudden disappearance of friends, activities, habits, jobs and residences: You are evolving beyond what you used to be and because the Law of Affinity, that it appeared that was consistent before you now cease to be as the Soul need other energy and environment to continue its expansion and the change will be better and more positive
extreme fatigue
Days: Your body is losing density and going through intense restructuring and therefore sometimes sleeping and eating become tasks important to raise vibration.

A need to eat more often because they feel sugar-lowering attacks: You are requiring an enormous amount of fuel in the process of ascension. Weight gain, with the inability to lose, no matter what you do, is one of the typical experiences. Trust that your body knows what you are doing as though we forget too often, nature is wise. Experience

emotional ups and downs, laugh, mourn. Our emotions are to be our outlet for release, and we are releasing a lot.

want to go home as if it was all over and you no longer belong to this place: We are returning to Source. It's finished. (But many of us are staying to help and to establish the Age of Aquarius in humanity.

feel that you're going crazy, or should be developing a mental illness or something: You are experiencing several dimensions and a grand opening soon. Much is now available for you. Only you have not used. Your perception has been increased and your barriers are gone. This will pass and eventually you will feel at home and feel like never before, the home is here now.

Anxiety and panic: Your ego is losing much of himself and afraid. Also, your system is overloaded. We are going things you can not understand. Patterns of behavior are releasing a low vibration, developed to survive in the 3rd dimension. This can make you feel vulnerable and powerless. These patterns and behaviors that are losing are not needed in the higher realms. After this transition, and everything will feel much love, security and unity. Just wait!

Depression: The outside world may not be in alignment with the new vibration that has experienced and can get to feeling "that are not part of this world." You're also releasing negative energy and you're old "Seeing" through them. Hold on!

Vivid dreams, wild and sometimes violent: You are releasing many, many lifetimes of lower vibrational energy and dreams that can manifest in negative and even beautiful and real.

Night sweats and hot flashes: Your body is "heating up" while burning waste.

You created this situation that looks like your worst nightmare, with the "worst" aspects of yourself: Your soul is leading to a spurt in aspects of yourself that you had gaps, or "smooth" things where you had an overabundance. Your energy is balancing itself. This is YOUR journey, and your soul would not have to rise if you were not ready. You're the one who finds the way out and you will.

After so many changes and many doubts have been clarified, you'll realize you should not fear anything and that any change creates anxiety about leaving old habits and "believe" valid even when they vibrate with energy New Age, you will feel grateful for the experience of being a different person.

Always use your discernment,
Listen to your heart by reading a message.
Just read the messages that make you vibrate. If a message
bother you just throw it away. Follow
your inner truth.

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As you know Japan has experienced an earthquake of high magnitude, 8.9 degrees on the Richter scale on 11 March with devastating consequences: over 1,000 dead, more than 100,000 missing, and a country in ruins.

The earthquake occurred under the Pacific Ocean about 100 kilometers from the coast, and triggered a tsunami with waves up to 10 meters that devastated everything in its path in coastal areas.

And now is wreaking havoc.

What I want to ask is a little help to the country entering this site and making a small donation or whatever you wish.

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-conscious Japan Manga Show 2011 Seville

Hello !!!!!

I know that long ago since I updated the blog and so today I'll do it twice.

The first entry as you can see it on Manga Show to be held in Sevilla in this year (and like all ^ ^). will take place on 1, 2 and 3 April .

Well, I'll put the information that I think is more important, then I am attaching the link to the official website so you can see everything in more detail.

HOURS:

Friday: 16:00 to 21:00
Saturday: 11:00 to 21:00
Sunday: 11:00 to 20:00

PLACE: Casino Glorieta
Exhibition San Diego, s / n. 41013 Sevilla.

GETTING THERE:

Metro stop: The Prado.

Buses: C1, C2, C3, C4, 1, 5, 21, 22, 23, 25, 26, 28, 29, 30, 31, 34, 36, 37, 41 , EA and T1.

Click here to download map of metro lines Seville in pdf.

Renfe Train schedules: http://www.renfe.com/viajeros/

(To get from the Santa Justa station in the Hall: Bus C1).

ACTIVITIES:

Each activity is classified in each of the areas of Living Area Network
comics


Kosen Zone Zone Zone
Guardians English Origami Association
Saga Zone 77 Zone
Ubiquitous
Kin-in Zone Cuo

generation N-Zone Video Zone
Tombola

COMPETITIONS

EXHIBITIONS: Exhibition of Paper Folding


Japan Starwars Exhibition Expo Cosplays
handmade

SIGNATURES: Kenny Ruiz



Belén Ortega Irene Rodriguez Irene
Laura Diaz and Moreno (Study Xian Nu)
Aurora Garcia and Diana Fernandez (St Kosen)
Tamara Alvarez (Noiry)
Jesulink

unfortunately, are not yet put the lists of stands, we have to wait ...

Now I put the link on the official website where you can see in detail what you want, even Unload the volunteer application.

So, I hope to see you there!

you soon ^ ^

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Félix Gómez: "In this business you can not afford to depend on the inspiration"

Angel Caballero / Look at the camera
strolled through the streets of America looking for a place for lunch. We went into a tavern he knew and between rods and caps began to speak, with closeness and humility, his work on "The day that Isaac was born, which represents theater Fernando Fernan Gomez. Years ago, when I had just arrived in Madrid, my father told me: "I interviewed Felix Gomez and reminded me of the things you own." As good son I am, trying to discredit my father whenever I can, but this time, listening to Felix, I admit it was inevitable feel certain parallels with the way you see the profession, and to feel actor. Look

camera: seeing you the other night at the theater, with Diana Palazón , remembered the role of "Krámpack" you did together. On one occasion, which coincided I went to see you, you you stopped the performance, because they kept on taking photos. This I have already spoken with Diana and Nacho López . I never seen you so angry.
Félix Gómez: Well, what I did is something that should not be done, but you were there, and, like us, you could you tell that this was not normal. I've never seen a pit as flash ... That was more like a Madonna concert than a theater. I did not for me as an actor, but clearly bothered me, but for the rest of people who had paid to see that role and did not have to endure that. When the situation no longer be controlled, stopped, I threw the anger, I took off my clothes, I was in shorts and said something like, "You can now do all the photos you like, because that's all I'm going to strip . " The applause of the day is one of the most memory. There are nice moments and stuff do you keep doing the role of bad feeling.
Mac: Did you plan to continue with the representation?
FG: From the first time. I talked to the alderman and told him that we followed in two minutes. That is one of the highlights of the famous " The show must go on ." Whatever happens, we must continue. I never go back to something as crazy and disappointing. That was the other side of fame.
Mac: But you ride this role knowing that you were a claim for a very specific audience ...
FG: We knew the theater would be a large number of teenagers, especially girls. I am delighted to bring to the theater to a younger audience, thanks to my fame. But at that time were not prepared for that, because it is not normal behavior within a theater. I understand that people wait outside the theater to take pictures or stop you on the street, but not in the middle of a function. They had to understand that they could not behave like this site because the theater also requires a certain respect for the viewer.
Mac: That was the first production you carried out your own production.
FG: The first crazy ...
Mac: What was it that led you to mount your troupe?
FG: An innate need. It's something that if you think about it, and appreciate it in the end you do not. It is a great waste of energy, you suffer a lot ... not something you do because you need the job. Fortunately, I have other projects. It's something that comes from the heart and I could not tell you why. I suppose it may be because in the theater I am happy. I've always said that the theater is like my second womb that gave me the opportunity to be reborn and return to life. This does not mean you are not happy doing film and television, but the theater gives me a vital energy that just feel when I'm on stage.
Mac: The other night, after watching "The day that Isaac was born," said some colleagues how much you enjoy it shows when you're on stage.
FG: From the first time. When Antonio Hernandez handed me the text and read it, I knew I wanted to do that work.
Mac: There is a part of the function that you have a monologue rather complicated. How do you do to defend it, night after night, and sounds like the first time?
FG: Is that every day is a new feature. It's the magic of theater ... It is always the same character, but you have before your partner every day will give you something new and with that we have half of your character. Each role is different, every audience is different and the energy that you transmit, from the stalls is never the same. These things just modificándote slightly. This is like when we were kids and we played cowboys and Indians. I picked up a gun or you wore a feather in the head and nobody could doubt that you were Sitting Bull. As this is the same. As much as I've played the same game, I always enjoy like the first time, just believe.
Mac: In the days when the concentration plays a trick on you or that we are less receptive to what we get from fellow ... Do you think that the public notice these things?
FG: I hope not, but always have a responsibility as an actor. In this business you can not afford to depend on the inspiration. A dancer can be more or less concentrated in the scenario, but when it comes time to do a pirouette, you have to do it and have to go right. We have to be equal. There is a minimum in our work we always have to give.
Mac: How applause from the audience can tell if they liked what they saw?
FG: Yes, it shows. There are many types of audiences. For example, in the south are very effusive and in the north are truant for applause, but always notes to those who liked it, but give two claps, clapping or because they are accustomed to applaud. You may also notice during the show if they are liking or not.
Mac: 've worked on some projects, such as "Father Courage," "The crimes of the Marquis de Urquijo" or "Raphael", where real people were playing. Does the process of creating these characters is always the same?
FG: No, depends on many factors. Sometimes you just read and the first to know where you want to go, and there are others who never seem to end up in matching the key. This came with Raphael . Was dissatisfied with each day's shooting because he thought the height was not reached or not. People of the team was as thrilled with my work and I thought I had done something mediocre and I pounded a lot. Then, when you see the results and talk with people you trust, you think "it might not be so bad." To me, I think Raphael is someone who is touched by magic, when he gets on stage, and I felt that my work reflects that.
Mac: These characters there is also a risk of imitation ...
FG: That was exactly what I wanted. Had to find my own Raphael. It's something that was very clear ... There was to follow. She needed to see, or imagine, what happened to him to do what he did.
Mac: Did you talk to him?
FG: He went to shoot, because it is a wonderful human being and was very supportive of the film. He loved the project and it saved us a lot, but never sat down with him to discuss the character.
Mac: Have you seen some of your early work and you wanted to repeat?
FG: continuously. The first, and then those of the past. I seeing fatal step. Not stand it. For that, I'm my worst enemy. Beginning to think I have made the right decision, I should have taken the character on the other site ...
Mac: "In the theater is the respect of your colleagues?
FG: The theater is a sanctuary, but it is the litmus test to prove you're a good actor. You can be a great actor and have not set foot in a theater in your life. I do not know if Audrey Hepburn did theater or not, but it has a wonderful film that I must see her on stage to show me it was a good actress. Since I was not going to like less Julia Roberts, because once did theater and did not have the best reviews. I just go to see a movie. Not all actors have to do everything. Some work in the three media (film, theater and television) and others not. There are also changing chameleonic actors completely with each character and others that we have our range of characters, we are expanding slowly. But why some actors are better than others.
Mac: Did you think you would go to make a living from this profession and have your own company?
FG: This is going to be very arrogant, but yeah. I mean, I do not know if you only dreamed of it, but as I believe that dreams can be fulfilled ... And I have brought to this tavern, where the sign reads: " If you want something with great force, the universe conspires your favor. " I believe that. I put every point of my energy into this, because I love this profession as I do not love almost anyone. For me, this job is my life. I hope to live a lifetime in this profession, but if ever anything happens to me and I have to do anything else, will remain an actor. Find my hole, albeit in a small company in a room with limited seating or in a distant village. When you're an actor ... it can not be otherwise.
(There is a silence in which the protagonist of this interview looks at me with a half smile. It is as if he saw something disturbing on my face. I as if nothing had happened and seconds later, Felix returns to the dialogue) I've
left locked. (Laughter)
Mac: (Inevitably, at this moment, my head again the words of my father) is that it is very exciting to hear someone speaking so fondly of his profession. Incidentally, I have told you prepare a new theater project with your brother.
FG: My brother is also dedicated to this and I have really wanted to work with him because I think it's very good actor. A few years ago, talking to Antonio Hernandez on fatherhood, was born the work we are representing in Fernando Fernan Gomez. Now I'm at a stage in my life very familiar. When we grow older brothers, we have next to someone we love, without really knowing why. In my house we are four brothers and we are very close, despite our differences. I've been wanting to talk about these relationships, I told Antonio and he said he would like to write something. So it is very possible that the next function is about brothers.
Mac: "The Republic" seems more like a meeting between old friends a series ...
FG: is true (laughs). I swear that when I spoke of the cast I thought they were joking. It's like a surprise party with friends like Veronica Sanchez , Alejo Sauras , Vicente Romero, Fernando Cayo ... is a total and on. I was very happy, because it was one of the first times I felt that I am part of this.
Mac: you ever felt that emptiness that you have when you finish a job and do not know if they'll call again?
FG: In this regard I have good luck, because I have almost always had a new job when he had not yet finished the last. What if true, is that I do every job as if it were your last. And live life the same way, because I am passionate. Like everyone, I've had my phases of break, but I used to ride my projects. Last year I finished filming "Agnosia" in December and started "Raphael" in April. And during those months I was preparing the production of "The day that Isaac was born."
Mac: Finally, how does it feel when working with large stage, as Concha Velasco, Juan Diego or Fernando Cayo?
FG: is a dream come true. I, at first I did not believe ... Like when I called Antonio Banderas for "The Way of the English. Had made the castings and was awaiting their response. I remember being in Andalusia, celebrating the birthday of my mother and my phone rang with a number that did not know. I answered and heard "Hello , Felix, I'm Antonio Banderas and you want to invite you to make me way." I never thought he was going to call it and thought it was a joke. It was the call for the one you're preparing you a lifetime and I was speechless. I did not know what to say, but there you realize that people that get excited, and you admire so much, are the most normal world. The most humble, the more workers ... are an example to follow.

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Nadia Casado: "When an actor you see him stop nuts interested "

Angel Caballero / Look at the camera
Beauty, a strong personality and passionate about her work, are some of the Traits that define Nadia Casado. He has participated in projects like "SuperCharly", "The murderer in the circle" or "Sexykiller." Just roll with José Coronado, "No peace for the wicked", the much anticipated return to the direction of Enrique Urbizu. Married reveals the secrets of this shoot and their views and experiences on the world of acting.
Look
camera: Can we say you were born to be an actress?
Nadia Casado: Yes, from a very young art had gotten into the blood, and that nobody in my family is dedicated to this profession. When I was five, I remember going to my grandmother and I wore heels, furs, I painted and I rode my own home theater. With ten or twelve years and started doing TV commercials, so I've always been very clear he wanted to be an actress.
Mac: Were your parents who, as a child, I took castings of advertising?
NC: No. One day out of college, I noticed the director of an advertising agency. He spoke with my sister and told me they would like some pictures. My parents refused because they thought I was too small, and it was my sister who sent some pictures of me, hiding from them. A few weeks later they called me and offered to do a campaign of "back to school." At first my father objected, but I convinced him by saying she would only be an advertisement for testing. A job led to another and I ended up doing some more. When I finished school I decided I wanted to study drama, but my parents put a condition that had to study a career, so I Business. I spent six months in the school cafeteria, and the seventh went to the United States to take a course in interpretation, and when I returned I enrolled in the study of Juan Carlos Corazza.
Mac: How do you remember your first acting class?
NC: I felt like Bambi in a cage of lions. I started the course two months late, because I came from the United States, was the youngest in my class and the last to arrive. On the other hand, it helped me get my act together and arm myself with courage. I was a very shy person. I was ashamed, even when I had to order a coffee. Classes interpretation helped me find tools on me that I had never imagined. Later, I went prepared with the best teacher I've ever met, Paco Pino.
Mac: Is it important to change teachers and learn other methods?
NC: Completely . I am a person who can not be more than one time in the same place and with the same classmates, because I overwhelmed. When I finish a job, always use to do a course to reinvent myself and start from scratch. If you spend much time in school, in a film or doing the same theater performance, you run the risk of acquiring services and to accommodate you on what you know works for you as an actor. So I like to leave the mind blank, do me a course and learn how it was the first time I stood in front of a camera.
Mac: all have our little tricks to which we cling in a particular time, but be careful that the public will not notice. What are yours?
NC: I try to be always looking for new things to settle down no. It's complicated, because when an actor you see the nuts longer interested.
Mac: In some schools of interpretation seems to be taken less seriously actresses for the simple fact of being beautiful. You are a very attractive woman. Did you this happened?
NC: Yes I consider particularly pretty, but it is true that I smashed a lot. I even got to say: " in English cinema is no room for a face like yours ." That kind of stuff I created uncertainty and caused many would hide or fight my physique, but that's impossible. I am and I'm not going to change. We must accept and promote our strengths.
Mac: The first character you could develop continuity was in "Tell Me" ...
NC: Yes and I remember as a wonderful experience. I joined Paul Rivero, whom he knew from school. It was weird to see us in a series dating, after so many years. (Laughs) In that work I was an actress for the first time.
Mac: Have you returned to find that happiness in other characters?
NC: course. Shortly after "Tell Me" did a short film, "Deja vu", it was like a little dream come true, because it was time and I always wanted to do something. I worked with Ruth Lucía Núñez García and for twenty days, because it was too complex to shoot and was a great experience. We got many awards ... In "SexyKiller" I also really enjoyed because We had fights, persecution ...
Mac: What has it meant Enrique Urbizu for your career?
NC: do not know yet, because the film is about to debut. But for me, as an actress and as a person, it has meant everything. Before making "No peace for the wicked", I already knew, because he had two years of acting with him. This has been the greatest experience I had in my life and I doubt feel something again. Is a director who is so aware of the actors, every detail ... Working with him is like getting paid to attend a master class performance.
Mac: Are you nervous about the premiere?
NC: at all, because I know that Henry will not leave a single plane in which all is not perfect. I was so wrapped up during the shooting for him and my partner, Jose Coronado , which I trust completely.
Mac: What can you advance of "No peace for the wicked?
NC: is a thriller that is very noticeable Enrique's hand. It is a very hard film in which I think the audience will be on the wrong side.
Mac: But is not very difficult to get that?
NC: is that in this case, the bad can be a little too good, but I can say nothing more.
Mac: What have you learned from your colleagues on the set?
NC: Joseph The Coronado is a totally consuming. I was hallucinating when I saw the front and work. It is amazing the control you have over the whole situation ... I remember thinking: How can I now I will open my mouth to say a word? I did not test, but the first day I arrived on set and got to work, fit perfectly. It is a pleasure to work with a partner so generous.
Mac: When you watch a movie a friend who is an actor, are you able to forget the person and focus on the character?
NC: depends. There are colleagues who are very good players and although I believe what I do, it is true that it always costs a little. For example, Joseph (Coronado) is a gentleman from head to toe, but in this movie treats me like a rag and there were times that I came to believe so I felt real terror. At that time I could not see the actor. Santos saw Trinidad, the protagonist of the film, which is a being that is scary.
Mac: What is the best thing an actor can offer your audience?
NC: Truth. Have things from absolute sincerity. I see many movies in which actors know that these things are telling me and I am really disappointed as a spectator. You can tell they have done such work for more money, because they want a bigger house or because it is the only thing they have offered this year. I want to see actors who really deliver. And if you see that you will not be able to give everything in a job, it is best not to. I really have offered bills that I did not want to do or where you do not believe, and I preferred not to make, and borrow money to pay the rent. To make things out of obligation, necessity and not wanting to better get to fold clothes in a store, for sure there are many other actors who are dying to play that role. This is a profession so hard, where you get so few opportunities, that when it comes to be seized by a hundred percent and give the best of oneself.
Mac: Dreaming of the day you get a main character?
NC: But I prefer to do side projects in which I trust, to have a protagonist in a film that does not create and I'm not going to contribute anything. I always thought it is better to take small steps, but with confidence. This is a very beautiful profession in which to do things from the love and passion for the job.

How Late Is Too Late For Dogs Testicles To Drop

HELLO EVERYONE !!!!!! Was prepared with great care and creativity is SHOWS OPENS MARCH 10 AT THE CULTURAL CENTER RECOLETA CITY OF BUENOS AIRES, AND ENDING APRIL 3 POWER.

HOURS FROM 14:00 TO 21:00 HS-Every day except Mondays.

SAMPLE CALLED "SPACE " GENERATED WITH THE CONCEPT OF CARING AND RESPECT THEM.

USURPER LEFT OR NOT TO BE ENCLOSED IN THEM.

opening it up to go to generate new spaces that flow and we do not isolate THE WORLD AROUND.

defend what is ours without invasion, and permits us to see

LIVE LOOK AND ENJOY THE DIALOGUE OF INTERNAL AND EXTERNAL SPACES AND OURSELVES AND OTHERS FROM THE FRONT OF THE NATURE AND THAT WE HAVE LIVED WITH HER EVERY MINUTE AND SEE OFTEN DO NOT KNOW OR ENJOY.

A HUG TO ALL!

OWN SPACE AND BE GENERATING !!!!!!!

Confirmation Court Letter

Amparo Muñoz, BEAUTY NEVER DIES

I tried writing a few words to remind the person that was my first contact with the profession, who gave me wise counsel, who encouraged me for the first time, to get in front of a camera and, above all, my friend who accompanied , caught his arm, which would be her last red carpet. 'm Sorry, Amparo, but I will not do it. I prefer to keep me, selfishly, those memories for me. What if I'm going to do is steal some words of him who introduced us and that he had much affection.

From your friend always ...

Angel Caballero .





I came to the cafeteria without Blas de Lezo expectation. "Do not flatter yourself," he warned, "has fired a number of authors." I ordered a coffee and waited. A good while later, with a stiff gait, came a middle-aged woman leaning against a younger man. It must be her, I thought though, and I never told you this, in that first meeting did not recognize you. It was you: Amparo Muñoz, the most beautiful, pure legend now. Hit by the disease and avatars, do not recognize you, but after a while, you decided to trust me, late afternoon, your life, that had not been easy and that many wanted to run as scavengers. Never shirks an answer, never resort to evasive. To write your memories, had a single premise: do not hurt, do not fret, do no harm. Not a reproach for those who lie here, gossip there, I pulled out of deals, for the English Film Festival that year after year, spared recognition for the city that proudly believed that you do not owe anything. In the middle of the story, a sip of vodka and orange, close your eyes and with that majestic pose the greatest divas know just take, put the cigarette to your lips before letting out a halo of smoke. "I came to Manchester to die," told me the first evening. I thought that phrase was emphatic that the writers seek to start a story. Today is that even in that you were honest with me. We were last in Archidona. Surrender had just a tribute. You were radiant, yet you expect that role justice. I remember well, as you would like: full on stage, simple, happy ... and, of course, pretty, very pretty. The beauty, dear Amparo, make you immortal.

Miguel Fernandez.
Posted by Diario Sur.